1 00:02:33,669 --> 00:02:36,505 YOU SEE SOMETHING YOU LIKE? 2 00:02:44,947 --> 00:02:47,516 I TELL YOU WHAT, BABY. 3 00:02:48,550 --> 00:02:53,288 PULL AROUND THE CORNER, AND WE'LL TALK ABOUT IT. 4 00:03:20,816 --> 00:03:22,384 HOW MUCH? 5 00:03:22,384 --> 00:03:23,986 DEPENDS. 6 00:03:23,986 --> 00:03:25,688 [SIGHS] ON? 7 00:03:25,688 --> 00:03:27,990 ON WHAT YOU WANT. 8 00:03:27,990 --> 00:03:30,392 [SIGHS] HALF AND HALF. 9 00:03:30,392 --> 00:03:33,195 HOW MUCH YOU WILLING TO SPEND? 10 00:03:33,195 --> 00:03:34,430 40. 11 00:03:34,430 --> 00:03:35,597 40. LOOK, MR. TIGHT ASS, 12 00:03:35,597 --> 00:03:38,033 YOU NEED TO TAKE YOUR BUTT DOWN TO WESTERN AVENUE, 13 00:03:38,033 --> 00:03:41,537 'CAUSE THEY'LL DO YOU FOR CHEAP. I DON'T HAVE TIME. 14 00:03:41,537 --> 00:03:43,372 LOOK, I'LL GO 50, ALL RIGHT? 15 00:03:43,372 --> 00:03:45,741 HEY, GET REAL, BUDDY. 16 00:03:45,741 --> 00:03:48,277 HEY, I JUST WANNA TALK TO YOU. 17 00:03:48,277 --> 00:03:50,179 GIVE IT UP. 18 00:03:50,179 --> 00:03:50,979 WHAT IS THIS? HUH? 19 00:03:50,979 --> 00:03:53,148 ME NOT GOOD ENOUGH FOR YOU? 20 00:03:54,116 --> 00:03:55,150 IS THAT IT? 21 00:03:55,150 --> 00:03:57,019 BACK UP, I'M WARNING YOU-- 22 00:03:57,019 --> 00:03:59,154 OOH! 23 00:04:01,890 --> 00:04:03,859 UHH! 24 00:04:07,763 --> 00:04:10,466 YARNELL! COME ON! 25 00:04:10,466 --> 00:04:14,336 [HEAVY BREATHING] 26 00:04:20,909 --> 00:04:23,746 [TIRES SQUEALING] 27 00:04:23,746 --> 00:04:26,248 [SIRENS] 28 00:04:27,483 --> 00:04:29,451 HALT! POLICE! 29 00:04:31,620 --> 00:04:34,757 DON'T FUCKING MOVE! DON'T MOVE! 30 00:04:34,757 --> 00:04:35,891 DON'T YOU MOVE! 31 00:04:35,891 --> 00:04:38,260 OFFICER DOWN, BACK ALLEY! 32 00:04:38,260 --> 00:04:40,095 MARILYN! 33 00:04:40,095 --> 00:04:41,029 [WHIMPERS] 34 00:04:41,029 --> 00:04:44,032 RADIO'S WITH YOU. 35 00:04:48,871 --> 00:04:50,739 HEY! 36 00:04:59,181 --> 00:05:03,085 [COUGHING] 37 00:05:03,085 --> 00:05:05,754 SON OF A BITCH. 38 00:05:05,754 --> 00:05:07,156 BILL, YOU ALL RIGHT? 39 00:05:07,156 --> 00:05:10,159 YEAH. 40 00:05:15,597 --> 00:05:18,700 YOU'RE DOING THE PAPERWORK ON THIS. 41 00:05:21,103 --> 00:05:23,038 FUNNY. 42 00:05:24,907 --> 00:05:30,312 Man, on recording: THE UNIVERSE. SINCE MANKIND FIRST WALKED ON EARTH, 43 00:05:30,312 --> 00:05:33,215 WE HAVE LOOKED TO THE HEAVENS IN WONDER. 44 00:05:33,215 --> 00:05:36,685 WHO ARE WE? WHAT LIES BEYOND? 45 00:05:36,685 --> 00:05:40,889 WE'LL ANSWER SOME OF THESE QUESTIONS THIS EVENING. 46 00:05:40,889 --> 00:05:45,527 WELCOME TO GRIFFITH OBSERVATORY AND OUR SUMMER PLANETARIUM SHOW. 47 00:05:45,527 --> 00:05:51,333 WE'D LIKE TO REMIND YOU THAT EATING, DRINKING, SMOKING, AND FLASH PHOTOGRAPHY 48 00:05:51,333 --> 00:05:54,503 ARE PROHIBITED IN THE AUDITORIUM. 49 00:05:54,503 --> 00:06:00,342 NOW, RELAX AS THE STARS FILL THE NIGHT SKY. 50 00:06:04,780 --> 00:06:08,517 Man: HEY, MADDOX. 51 00:06:08,517 --> 00:06:09,852 I DON'T KNOW YOU. 52 00:06:09,852 --> 00:06:12,554 JOHNNY SANDUCCI. 53 00:06:12,554 --> 00:06:18,093 NICK MARINO HAD A SIT DOWN IN SAN PEDRO, SO HE SENT ME. 54 00:06:18,093 --> 00:06:22,197 DOESN'T USUALLY GO DOWN THAT WAY WITH MARINO. 55 00:06:25,033 --> 00:06:29,905 YOU GOT... 50 GRAND IN THERE. 56 00:06:37,546 --> 00:06:41,083 JESUS. I DON'T LIKE THIS. 57 00:06:41,083 --> 00:06:42,918 RELAX, LIEUTENANT. 58 00:06:42,918 --> 00:06:46,054 THERE'S GONNA BE A GOOD COP IN THAT ROOM. 59 00:06:46,054 --> 00:06:50,759 I DON'T WANNA SEE MY PARTNER GO DOWN. 60 00:06:50,759 --> 00:06:52,561 NEITHER DO WE. 61 00:06:52,561 --> 00:06:55,364 WE JUST WANT THE WITNESS. 62 00:06:58,634 --> 00:07:01,837 [SIGHS] CHELSEA HOTEL. 63 00:07:01,837 --> 00:07:04,206 ROOM 506. 64 00:07:07,409 --> 00:07:11,747 I'LL BE RUNNING OUT FOR SANDWICHES AT 7:00. SHARP. 65 00:07:11,747 --> 00:07:15,717 THE DOOR WILL BE UNLOCKED. 66 00:07:26,028 --> 00:07:29,231 HOWARD MADDOX! LAWRENCE GIBSON, INTERNAL AFFAIRS. 67 00:07:29,231 --> 00:07:31,099 YOU'RE UNDER ARREST. 68 00:07:45,847 --> 00:07:47,816 MADDOX! 69 00:07:58,360 --> 00:08:00,462 HANG IN THERE. 70 00:08:00,462 --> 00:08:03,265 CALL AN AMBULANCE, GOD DAMN IT! 71 00:08:03,265 --> 00:08:05,968 [GROANING] 72 00:08:05,968 --> 00:08:07,302 WALKER...UHH! 73 00:08:07,302 --> 00:08:09,304 I'M HERE, PAL. 74 00:08:11,974 --> 00:08:15,978 OH, JEEZ, I FEEL STUPID. 75 00:08:17,079 --> 00:08:20,882 ♪ EVERYTHING YOU DO SUITS ME FINE ♪ 76 00:08:20,882 --> 00:08:25,687 ♪ EVERYWHERE WE GO, WE HAVE A GOOD TIME ♪ 77 00:08:25,687 --> 00:08:34,496 AND EVERY DAY WE TALK ABOUT TOMORROW ♪ 78 00:08:34,496 --> 00:08:36,531 ♪ IT'S TOO GOOD ♪ 79 00:08:36,531 --> 00:08:38,734 ♪ AM I DREAMIN', MAN? ♪ 80 00:08:38,734 --> 00:08:43,305 ♪ THEY SAY LOVE IS BLIND ♪ 81 00:08:43,305 --> 00:08:44,639 ♪ BUT I JUST SEE ♪ 82 00:08:44,639 --> 00:08:46,975 ♪ A BIG RUN WITH YOU, BABY ♪ 83 00:08:46,975 --> 00:08:49,745 ♪ AND I AIN'T DREAMIN' ♪ 84 00:08:49,745 --> 00:08:51,580 ♪ AND I SEE JUST FINE ♪ 85 00:08:51,580 --> 00:08:53,015 ♪ WE'RE SO RIGHT ♪ 86 00:08:53,015 --> 00:08:56,018 ♪ SO RIGHT FOR EACH OTHER ♪ 87 00:08:56,018 --> 00:08:59,621 ♪ PERFECT IN EVERY WAY ♪ 88 00:08:59,621 --> 00:09:04,426 ♪ WE'RE SO RIGHT, SO RIGHT, SO RIGHT FOR EACH OTHER ♪ 89 00:09:04,426 --> 00:09:08,630 ♪ I PRAY THIS LOVE IS HERE TO STAY ♪ 90 00:09:08,630 --> 00:09:13,301 ♪ EVERY STEP YOU CROSS, YOU'RE ON MY PATH ♪ 91 00:09:13,301 --> 00:09:15,070 ♪ EVERY COIN YOU TOSS... ♪ 92 00:09:15,070 --> 00:09:18,840 HI. HOW'D IT GO? 93 00:09:18,840 --> 00:09:20,475 GOOD. 94 00:09:20,475 --> 00:09:22,511 WAS THAT THE GUY? 95 00:09:22,511 --> 00:09:24,746 THAT WAS HIM, ALL RIGHT. 96 00:09:24,746 --> 00:09:26,448 SAME M.O., STRAIGHT RAZOR, 97 00:09:26,448 --> 00:09:30,485 AND THEY'RE STILL GONNA MAKE US GO BEFORE THE REVIEW BOARD. 98 00:09:30,485 --> 00:09:32,754 THIS JOB SUCKS. 99 00:09:36,491 --> 00:09:39,361 WE'VE GOT COMPANY. 100 00:09:39,361 --> 00:09:41,997 WHAT HAPPENED TO YOUR HAND, TANNER? 101 00:09:41,997 --> 00:09:43,832 AH, IT'S NOTHIN'. 102 00:09:43,832 --> 00:09:44,533 I'VE HAD WORSE. 103 00:09:44,533 --> 00:09:47,402 YEAH, LIKE SOME OF THE WOMEN YOU DATE. 104 00:09:47,402 --> 00:09:49,738 [LAUGHS] 105 00:09:49,738 --> 00:09:50,872 YOU'RE SO MEAN. 106 00:09:50,872 --> 00:09:52,641 THAT'S MY PARTNER. 107 00:09:56,645 --> 00:09:57,245 YOU HUNGRY? 108 00:09:57,245 --> 00:09:59,281 NAH. I'M GONNA STICK TO MY BEER. 109 00:09:59,281 --> 00:10:00,882 HMM. YOU WANT SOMETHING? 110 00:10:00,882 --> 00:10:02,784 NAH. I GOTTA GO HOME AND GET SOME SLEEP. 111 00:10:02,784 --> 00:10:05,387 YOU SURE? I'LL LEAVE YOU TWO ALONE. 112 00:10:05,387 --> 00:10:07,289 YEAH, GIVE ME A CALL WHEN YOU GET UP. 113 00:10:07,289 --> 00:10:09,858 YEAH. GOOD WORK. 114 00:10:12,427 --> 00:10:14,463 SEE YOU LATER. 115 00:10:18,366 --> 00:10:21,103 WISH HE'D MEET SOMEBODY. 116 00:10:21,937 --> 00:10:24,973 [MACHINE BEEPING] 117 00:10:39,087 --> 00:10:40,822 EXCUSE ME. 118 00:10:43,959 --> 00:10:46,428 WHAT ARE YOU DOING IN HERE? 119 00:10:51,233 --> 00:10:53,935 I'M SITTING WITH MY PARTNER. 120 00:10:53,935 --> 00:10:57,339 ARE YOU A MEMBER OF THE IMMEDIATE FAMILY? 121 00:10:57,339 --> 00:11:00,375 LIKE I SAID, HE'S MY PARTNER. 122 00:11:00,375 --> 00:11:04,479 AND YOU DON'T GET ANY MORE IMMEDIATE THAN THAT. 123 00:11:05,013 --> 00:11:07,849 LISTEN, DO YOURSELF A FAVOR. 124 00:11:07,849 --> 00:11:10,318 GO HOME AND GET SOME REST. 125 00:11:18,927 --> 00:11:20,195 BOTTOM LINE. 126 00:11:20,195 --> 00:11:22,664 IS HE GOING TO MAKE IT? 127 00:11:22,664 --> 00:11:25,333 HE'S GOT A FAIR CHANCE. 128 00:11:26,635 --> 00:11:28,303 HE DESERVES BETTER. 129 00:11:28,303 --> 00:11:30,205 P.A.: DR. DAVIS, TELEPHONE. 130 00:11:30,205 --> 00:11:33,175 PLEASE, DR. DAVIS, TELEPHONE. 131 00:11:34,643 --> 00:11:37,646 I DON'T KNOW. I DIDN'T MAKE IT TO THE GROCERY STORE. 132 00:11:37,646 --> 00:11:39,981 WHY DON'T YOU TAKE A LOOK? 133 00:11:39,981 --> 00:11:43,585 YOU KNOW, I THINK I'M GOING TO TAKE A COUPLE DAYS OFF. 134 00:11:43,585 --> 00:11:45,120 WHY? 135 00:11:45,120 --> 00:11:47,689 WELL, I DON'T LIKE BEING AWAY FROM YOU. 136 00:11:47,689 --> 00:11:51,860 WHAT DO YOU WANT TO EAT? 137 00:11:54,095 --> 00:11:56,097 I DON'T KNOW. WHAT DO YOU GOT? 138 00:11:56,097 --> 00:11:59,134 WELL, WE GOT, UM, SOME FRUIT. 139 00:11:59,134 --> 00:12:02,437 APPLES, GRAPES, CHERRIES, WATERMELON. 140 00:12:02,437 --> 00:12:06,474 SOME SANDWICH STUFF. YOU WANT A SANDWICH? 141 00:12:06,474 --> 00:12:07,676 NO, NO. 142 00:12:07,676 --> 00:12:12,013 UH, MMM. SOME OLD PIZZA BACK THERE. 143 00:12:12,013 --> 00:12:14,950 HEH. EGGS. 144 00:12:14,950 --> 00:12:16,017 YOU WANT EGGS? 145 00:12:16,017 --> 00:12:17,819 NO. I JUST WANT YOU. 146 00:12:17,819 --> 00:12:18,920 YOU WANT ME? 147 00:12:18,920 --> 00:12:22,524 WE GOT A COMPLAINT THERE'S A PROWLER IN THE AREA. 148 00:12:22,524 --> 00:12:23,925 REALLY? MM-HMM. 149 00:12:23,925 --> 00:12:26,595 I'D EXPECT YOUR FULL COOPERATION. 150 00:12:26,595 --> 00:12:29,764 OH. I'M WILLING TO COOPERATE IN ANY WAY, OFFICER. 151 00:12:29,764 --> 00:12:31,366 WHAT CAN I DO TO HELP? 152 00:12:31,366 --> 00:12:33,702 ASSUME THE POSITION. 153 00:12:33,702 --> 00:12:35,737 HA HA HA. 154 00:12:39,140 --> 00:12:42,043 JUST LET ME KNOW IF THERE'S ANYTHING I CAN DO. 155 00:12:42,043 --> 00:12:43,144 WATCH IT. 156 00:12:43,144 --> 00:12:46,948 SO FAR, YOU'RE DOING OK. 157 00:12:48,883 --> 00:12:49,818 A PROWLER? 158 00:12:49,818 --> 00:12:52,420 YOU THINK I'M IN DANGER HERE? 159 00:12:52,420 --> 00:12:54,322 NOT YET. 160 00:13:21,082 --> 00:13:23,785 [TELEPHONE RINGING] 161 00:13:23,818 --> 00:13:26,688 Answering Machine: HI. YOU'VE REACHED THE YARNELL RESIDENCE. 162 00:13:26,688 --> 00:13:28,323 NEITHER MIKE NOR MELISSA ARE HOME. 163 00:13:28,323 --> 00:13:29,824 PLEASE LEAVE A MESSAGE. [BEEPS] 164 00:13:29,824 --> 00:13:31,660 Man: MELISSA, IT'S FARRELL. 165 00:13:31,660 --> 00:13:33,828 IF YOU'RE THERE, WOULD YOU PICK UP THE PHONE? 166 00:13:33,828 --> 00:13:36,431 LOOK, I DON'T KNOW WHY YOU'RE NOT CALLING ME BACK. 167 00:13:36,431 --> 00:13:38,900 I'M AT THE BAR, AND I NEED TO TALK TO YOU. 168 00:13:38,900 --> 00:13:40,001 ALL RIGHT? 169 00:13:40,001 --> 00:13:41,202 JESUS, MELISSA. 170 00:13:41,202 --> 00:13:42,003 BYE. 171 00:13:42,003 --> 00:13:42,771 WHAT'S GOING ON? 172 00:13:42,771 --> 00:13:46,808 EVERY TIME YOUR BROTHER CALLS, YOU LOSE IT. 173 00:13:48,843 --> 00:13:50,712 [SOBS] 174 00:13:50,712 --> 00:13:52,314 NO! 175 00:14:44,466 --> 00:14:47,202 [LOUNGE MUSIC PLAYING] 176 00:15:03,418 --> 00:15:05,387 HONEY... 177 00:15:10,225 --> 00:15:11,893 MIKE... 178 00:15:18,400 --> 00:15:19,601 MIKE... 179 00:15:19,601 --> 00:15:21,403 WHAT? 180 00:15:22,704 --> 00:15:25,907 I MANAGED TO GET US AN APPOINTMENT WITH DR. HALPERIN. 181 00:15:25,907 --> 00:15:27,475 HE CAN SEE US AT 10:00. 182 00:15:27,475 --> 00:15:30,412 MELISSA, YOU KNOW I DON'T LIKE SHRINKS. 183 00:15:32,447 --> 00:15:34,416 LEAVE ME ALONE. 184 00:15:34,716 --> 00:15:35,850 MIKE, HE'S HELPED ME A LOT, 185 00:15:35,850 --> 00:15:38,920 AND I WISH YOU WOULD COME WITH ME TO SEE HIM. 186 00:15:40,221 --> 00:15:41,523 ALL RIGHT. 187 00:15:41,523 --> 00:15:42,590 ALL RIGHT. I'M UP. 188 00:15:42,590 --> 00:15:45,493 OK. GET UP. IT'S A QUARTER TO 9:00. 189 00:15:45,493 --> 00:15:46,761 WE GOT TO GO. 190 00:15:46,761 --> 00:15:48,129 I'M UP! 191 00:15:48,129 --> 00:15:49,964 WHAT TIME IS IT? 192 00:15:49,964 --> 00:15:51,766 QUARTER TO 9:00. 193 00:15:52,634 --> 00:15:54,335 [MUMBLING] 194 00:15:54,335 --> 00:15:56,704 OH, WALKER. IMPECCABLE TIMING. 195 00:15:56,704 --> 00:15:59,307 THIS IS MARTIN ERLICH OF THE A.C.L.U. 196 00:15:59,307 --> 00:16:01,176 HE WANTS TO HAVE A WORD WITH YOU. 197 00:16:01,176 --> 00:16:03,178 I'LL HAVE TO CHECK MY CALENDAR. 198 00:16:03,178 --> 00:16:04,879 HOW ABOUT RIGHT NOW, DETECTIVE? 199 00:16:04,879 --> 00:16:05,780 I DON'T HAVE THE TIME. 200 00:16:05,780 --> 00:16:07,048 UH, CAPTAIN, CAN I SPEAK TO YOU A SECOND? 201 00:16:07,048 --> 00:16:09,250 CAPTAIN BROOKS, THIS IS EXACTLY THE KIND OF INSOLENCE 202 00:16:09,250 --> 00:16:11,252 AND LACK OF RESPECT FOR THE A.C.L.U. 203 00:16:11,252 --> 00:16:14,756 THAT CASTS A BLACK CLOUD OVER THIS DEPARTMENT. 204 00:16:14,756 --> 00:16:16,124 IF YOU DON'T MIND, I'VE GOT A PARTNER 205 00:16:16,124 --> 00:16:18,026 FIGHTING FOR HIS LIFE OVER AT COUNTY. 206 00:16:18,026 --> 00:16:19,894 SO, EXCUSE ME VERY MUCH IF I DON'T HAVE 207 00:16:19,894 --> 00:16:23,465 THE INCLINATION TO DISCUSS THE SIXTH AMENDMENT WITH YOU. 208 00:16:23,932 --> 00:16:26,234 LET ME CHECK ON MY OFFICER AT THE HOSPITAL, 209 00:16:26,234 --> 00:16:28,970 I PROMISE HE'LL CALL YOU, MARTIN. 210 00:16:30,805 --> 00:16:32,140 I KNOW YOU'RE HURTING ABOUT GIBBY, 211 00:16:32,140 --> 00:16:36,244 BUT CUTTING NEW ASSHOLES WITH THE A.C.L.U. GUYS IS NOT EXACTLY 212 00:16:36,244 --> 00:16:39,280 IN THE BEST INTEREST OF THE DEPARTMENT NOWADAYS. 213 00:16:39,280 --> 00:16:41,015 I'M SORRY, CAPTAIN. 214 00:16:41,015 --> 00:16:43,384 YOU KNOW, THE LAST THING I NEEDED THIS MORNING 215 00:16:43,384 --> 00:16:45,487 WAS SOME WEASEL IN MY FACE, LECTURING ME 216 00:16:45,487 --> 00:16:46,788 ABOUT THE RIGHTS OF PSYCHO KILLERS. 217 00:16:46,788 --> 00:16:50,291 MAYBE HE'S HAVING A FIELD DAY WITH THIS MADDOX FIASCO. 218 00:16:50,291 --> 00:16:52,961 EVERY OTHER DAY, SOME PERP IS ON THE TUBE, 219 00:16:52,961 --> 00:16:57,031 MAKING A CASE FOR POLICE BRUTALITY. 220 00:16:57,599 --> 00:16:59,567 ALL I KNOW IS GIBBY'S ON LIFE SUPPORT. 221 00:16:59,567 --> 00:17:03,505 HIS WIFE IS WORRIED ABOUT HER NEXT DIME. 222 00:17:05,440 --> 00:17:07,542 WHAT'S THIS? 223 00:17:10,712 --> 00:17:12,280 GIBBY'S DISABILITY PAPERS. 224 00:17:12,280 --> 00:17:16,117 I'D APPRECIATE YOUR PROCESSING THEM AS SOON AS POSSIBLE. 225 00:17:17,986 --> 00:17:18,987 TAKE A LOOK AT THIS. 226 00:17:18,987 --> 00:17:21,356 HIS NAME IS YARNELL. HE'S WITH VICE. 227 00:17:21,356 --> 00:17:22,590 MIKE YARNELL? 228 00:17:22,590 --> 00:17:23,658 YOU KNOW HIM? 229 00:17:23,658 --> 00:17:27,662 WE PARTNERED OUT OF THE ACADEMY. GOOD COP. 230 00:17:27,662 --> 00:17:30,498 HE WAS INVOLVED IN A SHOOTING THE OTHER NIGHT. 231 00:17:30,498 --> 00:17:32,734 REVIEW BOARD BUMPED HIM OVER TO US. 232 00:17:32,734 --> 00:17:38,072 REPORT SAYS HERE THAT THE SUSPECT HAD A STRAIGHT RAZOR. 233 00:17:38,072 --> 00:17:40,909 YEAH. FAMILY MAN. FATHER OF 6. 234 00:17:40,909 --> 00:17:42,744 NO PRIORS. HIS WIFE GOT YOUR FRIEND 235 00:17:42,744 --> 00:17:45,713 THE A.C.L.U. INVOLVED. 236 00:17:45,713 --> 00:17:48,850 THIS LOOKS OPEN AND SHUT TO ME. 237 00:17:48,850 --> 00:17:52,053 WELL, WALK IT THROUGH, JUST THE SAME, 238 00:17:52,053 --> 00:17:54,355 AND CLOSE IT BY THE BOOK. 239 00:17:55,356 --> 00:17:57,659 TAKE CARE OF THOSE FOR ME? 240 00:18:00,895 --> 00:18:02,063 I WILL. 241 00:18:02,063 --> 00:18:03,731 THANKS. 242 00:18:04,032 --> 00:18:05,900 WHY ARE YOU ASKING ME ALL THE QUESTIONS? 243 00:18:05,900 --> 00:18:08,803 DID YOU FORGET THAT SHE'S THE ONE WITH THE PROBLEM? 244 00:18:08,803 --> 00:18:11,172 HOW YOU FEEL ABOUT IT 245 00:18:11,172 --> 00:18:14,075 HAS A LOT TO DO WITH OUR FINDING A SOLUTION. 246 00:18:14,075 --> 00:18:15,343 AH. HEH. 247 00:18:15,343 --> 00:18:18,580 WELL, HOW DO YOU THINK I FEEL ABOUT IT? 248 00:18:18,580 --> 00:18:21,583 I MEAN--I MEAN, HOW WOULD YOU FEEL ABOUT IT? 249 00:18:22,884 --> 00:18:26,654 MIKE, NOBODY'S BLAMING YOU. 250 00:18:26,654 --> 00:18:29,190 NOT MELISSA, NOT ME. 251 00:18:29,190 --> 00:18:32,260 THEN, WHY AM I CATCHING ALL THE FLAK? 252 00:18:32,260 --> 00:18:34,062 I MEAN, YOU REALLY WANT MY OPINION? 253 00:18:34,062 --> 00:18:36,998 HUH? I THINK IT HAS TO DO WITH HER FATHER. 254 00:18:36,998 --> 00:18:39,467 HE PASSED AWAY 2 WEEKS AGO, AND EVER SINCE THEN, 255 00:18:39,467 --> 00:18:41,669 IT'S LIKE COMING HOME TO SYBIL. 256 00:18:41,669 --> 00:18:45,773 AND I DON'T KNOW WHO THE HELL'S GOING TO BE THERE. 257 00:18:47,375 --> 00:18:49,911 MELISSA, AT OUR LAST SESSION, 258 00:18:49,911 --> 00:18:52,213 YOU BEGAN TO TELL ME ABOUT THE DEATH OF YOUR FATHER. 259 00:18:52,213 --> 00:18:55,984 THIS HAS NOTHING TO DO WITH MY FATHER. 260 00:18:55,984 --> 00:18:57,352 WELL, THEN WHAT? 261 00:18:57,352 --> 00:19:00,288 MIKE, PLEASE. 262 00:19:01,255 --> 00:19:02,957 THEN WHAT? 263 00:19:06,961 --> 00:19:07,862 MELISSA, GO AHEAD. 264 00:19:07,862 --> 00:19:10,298 STATE IT AT YOUR OWN PACE. 265 00:19:12,400 --> 00:19:14,268 IT HAS TO DO WITH MY BROTHER. 266 00:19:14,268 --> 00:19:18,306 WE HAD PROBLEMS SINCE WE WERE KIDS. 267 00:19:20,074 --> 00:19:22,877 AFTER MY FATHER GOT SICK, 268 00:19:22,877 --> 00:19:26,981 MY BROTHER FARRELL... 269 00:19:26,981 --> 00:19:29,651 HE CAME BACK TO... 270 00:19:29,651 --> 00:19:30,718 TO TAKE CARE OF BUSINESS, 271 00:19:30,718 --> 00:19:33,321 AND TO TAKE CARE OF MY DAD. 272 00:19:34,789 --> 00:19:38,559 MY FATHER OWNED A NIGHT CLUB BAR. 273 00:19:44,799 --> 00:19:47,168 ANYWAY... [SIGHS] 274 00:19:47,168 --> 00:19:49,837 FARRELL CAME BACK. 275 00:19:52,306 --> 00:19:54,842 AND I HAD GOTTEN HIM OUT OF MY MIND, 276 00:19:54,842 --> 00:19:57,178 THROUGH ALL THESE YEARS. 277 00:20:02,016 --> 00:20:05,086 AND NOW HE'S BACK. HE'S BACK HERE IN THE SAME CITY. 278 00:20:05,086 --> 00:20:08,222 AND EVERY TIME THE PHONE RINGS, 279 00:20:08,222 --> 00:20:11,025 OR THERE'S A KNOCK AT THE DOOR... 280 00:20:12,894 --> 00:20:15,096 I LOSE IT. 281 00:20:19,233 --> 00:20:22,537 I JUST WANT HIM OUT OF MY LIFE. 282 00:20:24,772 --> 00:20:29,043 WHY DIDN'T YOU EVER TELL ME ABOUT THIS, MELISSA? 283 00:20:31,045 --> 00:20:33,414 WELL, WHAT THE HELL'S GOING ON BETWEEN YOU AND YOUR BROTHER? 284 00:20:33,414 --> 00:20:35,483 NOTHING. 285 00:20:35,483 --> 00:20:38,553 CHRIST. IT'S GOT TO BE SOMETHING. 286 00:20:41,322 --> 00:20:43,291 DON'T YOU UNDERSTAND, MIKE? 287 00:20:43,291 --> 00:20:44,092 NO. 288 00:20:44,092 --> 00:20:47,862 I JUST WANT TO FORGET IT. 289 00:20:50,331 --> 00:20:52,567 FORGET WHAT? 290 00:20:54,368 --> 00:20:58,039 WHAT'S THE SOURCE OF YOUR PROBLEM WITH YOUR BROTHER? 291 00:21:02,076 --> 00:21:03,845 I CAN'T TELL YOU. 292 00:21:05,213 --> 00:21:07,215 PLEASE DON'T MAKE ME TELL YOU. 293 00:21:07,215 --> 00:21:09,016 MELISSA... 294 00:21:09,751 --> 00:21:11,819 YOU CALLED ME. 295 00:21:11,819 --> 00:21:13,988 NOW, WHY DID YOU MAKE THE CALL, 296 00:21:13,988 --> 00:21:16,591 UNLESS YOU WANTED TO TELL SOMEONE? 297 00:21:20,762 --> 00:21:23,064 BECAUSE HE MADE ME DO IT. 298 00:21:23,064 --> 00:21:24,132 DO WHAT? 299 00:21:24,132 --> 00:21:26,100 HE-- 300 00:21:27,668 --> 00:21:32,073 HE WOULD SNEAK INTO MY ROOM ALMOST EVERY NIGHT. 301 00:21:38,146 --> 00:21:40,715 I WOULDN'T LOOK AT HIM. 302 00:21:40,715 --> 00:21:43,785 I COULDN'T. 303 00:21:46,721 --> 00:21:48,956 HIS HANDS... 304 00:21:49,891 --> 00:21:52,960 HIS HANDS WERE ALWAYS SWEATY. 305 00:21:55,530 --> 00:21:57,098 HOT. 306 00:22:03,671 --> 00:22:06,440 AND HE HAD THIS SMELL. 307 00:22:11,679 --> 00:22:15,449 THEN HE MADE ME DO THESE THINGS. 308 00:22:16,651 --> 00:22:19,153 THESE HORRIBLE... 309 00:22:21,022 --> 00:22:24,325 DIRTY...THINGS. 310 00:22:26,527 --> 00:22:29,664 MELISSA, HOW COME YOU NEVER TOLD ME ABOUT THIS? 311 00:22:33,134 --> 00:22:34,836 HOW COME? 312 00:22:37,905 --> 00:22:39,807 HOW COME? 313 00:22:41,742 --> 00:22:43,744 MIKE, WHAT COULD YOU HAVE DONE? 314 00:22:43,744 --> 00:22:47,882 WHAT COULD YOU HAVE DONE? 315 00:23:07,301 --> 00:23:09,403 BILL TANNER? 316 00:23:09,403 --> 00:23:10,571 MATT WALKER. 317 00:23:10,571 --> 00:23:12,707 PLEASE SIT DOWN. 318 00:23:13,908 --> 00:23:14,775 HOW'S YOUR HAND? 319 00:23:14,775 --> 00:23:18,346 I GOT 88 STITCHES HOLDING IT TOGETHER. 320 00:23:18,346 --> 00:23:21,015 OTHER THAN THAT, IT'S FINE. 321 00:23:22,416 --> 00:23:25,419 SO, WHY IS I.A.D. SO INTERESTED 322 00:23:25,419 --> 00:23:27,922 IN WHAT HAPPENED THE OTHER NIGHT? 323 00:23:29,290 --> 00:23:30,558 IT'S ROUTINE. 324 00:23:30,558 --> 00:23:32,727 JUST PROCEDURE. 325 00:23:33,628 --> 00:23:38,633 NOBODY'S INTERESTED IN HURTING A GOOD COP DOING HIS JOB. 326 00:23:39,700 --> 00:23:41,903 THAT'S GOOD TO KNOW. 327 00:23:48,376 --> 00:23:50,912 TELL ME WHAT HAPPENED TUESDAY NIGHT. 328 00:23:51,345 --> 00:23:54,749 IT'S ALL THERE IN THE REPORT. DIDN'T YOU READ IT? 329 00:24:02,990 --> 00:24:03,658 LOOK, BILL... 330 00:24:03,658 --> 00:24:07,228 YOU KNOW THE DEPARTMENT IS UNDER THE MICROSCOPE LATELY 331 00:24:07,228 --> 00:24:09,363 ABOUT THIS EXCESSIVE FORCE. 332 00:24:09,363 --> 00:24:11,832 WE GOT TO GO BY THE BOOK, 333 00:24:11,832 --> 00:24:14,602 SO I'D APPRECIATE THE HELP. 334 00:24:15,569 --> 00:24:17,438 GO AHEAD. 335 00:24:22,610 --> 00:24:23,945 IT'S VERY SIMPLE. 336 00:24:23,945 --> 00:24:25,813 I WENT TO CUFF THE SON OF A BITCH. 337 00:24:25,813 --> 00:24:27,415 HE COMES AFTER ME WITH A RAZOR. 338 00:24:27,415 --> 00:24:28,916 YARNELL SHOOTS HIM. 339 00:24:28,916 --> 00:24:30,418 THAT'S IT. 340 00:24:30,418 --> 00:24:33,487 HOW LONG HAVE YOU AND YARNELL BEEN PARTNERS? 341 00:24:33,487 --> 00:24:36,624 JEEZ, I DON'T KNOW. WHAT? 5 YEARS? 342 00:24:37,692 --> 00:24:40,962 HE HAS THREE 181s IN THE PAST 18 MONTHS, 343 00:24:40,962 --> 00:24:43,431 AND YOU BACKED HIM UP EVERY TIME. 344 00:24:43,431 --> 00:24:46,033 WHAT ARE YOU IMPLYING? THAT I LIED ON THE REPORT? 345 00:24:46,033 --> 00:24:49,170 DOES THIS LOOK LIKE I'M LYING? 346 00:24:49,170 --> 00:24:50,905 I'M NOT IMPLYING ANYTHING. 347 00:24:50,905 --> 00:24:54,608 I'M INTERESTED IN THE MENTAL CONDITION OF YOUR PARTNER. 348 00:24:54,608 --> 00:24:58,245 THERE'S NOTHING WRONG WITH THE MENTAL CONDITION OF MY PARTNER. 349 00:24:58,245 --> 00:25:02,083 HE HAS A HISTORY OF USING EXCESSIVE FORCE. 350 00:25:03,517 --> 00:25:05,486 EXCESSIVE FORCE. 351 00:25:12,793 --> 00:25:13,928 YOU KNOW, THEY JUMP ON US 352 00:25:13,928 --> 00:25:17,164 FOR THE SLIGHTEST AMOUNT OF BULLSHIT. 353 00:25:17,498 --> 00:25:19,667 WE'RE OUT THERE EVERY NIGHT, 354 00:25:19,667 --> 00:25:22,336 DEALING WITH THESE FUCKING ANIMALS. 355 00:25:22,336 --> 00:25:24,538 WHEN A COP TRIES TO PROTECT HIMSELF, 356 00:25:24,538 --> 00:25:26,841 NOBODY WANTS TO HEAR ABOUT IT. 357 00:25:27,742 --> 00:25:30,845 WHO DO WE GO TO WHEN WE HAVE A PROBLEM? 358 00:25:31,979 --> 00:25:34,849 WHEN YOU'RE BETWEEN A ROCK AND A HARD PLACE... 359 00:25:35,850 --> 00:25:39,186 A COP ONLY HAS HIS PARTNER TO DEPEND ON. 360 00:25:40,588 --> 00:25:42,523 THAT'S RIGHT. 361 00:25:46,927 --> 00:25:50,197 YOU HAVE ANYTHING ELSE YOU'D LIKE TO ADD? 362 00:25:52,500 --> 00:25:55,202 I THINK I SAID EVERYTHING. 363 00:26:04,178 --> 00:26:05,513 THANKS. 364 00:26:05,513 --> 00:26:07,748 THANK YOU. 365 00:26:19,927 --> 00:26:22,063 DON'T. 366 00:26:24,999 --> 00:26:29,570 WHAT EXACTLY DID THAT SON OF A BITCH DO TO YOU, ANYWAY? 367 00:26:30,738 --> 00:26:32,440 WHY DO YOU WANT TO KNOW? 368 00:26:32,440 --> 00:26:35,576 BECAUSE IT'S TEARING US APART, THAT'S WHY. 369 00:26:38,813 --> 00:26:40,815 I'M SORRY I EVER BROUGHT IT UP. 370 00:26:40,815 --> 00:26:44,585 HOW COME YOU NEVER TALKED TO ME ABOUT IT? 371 00:26:46,120 --> 00:26:49,256 WHAT COULD YOU CHANGE NOW, MIKE? 372 00:26:50,057 --> 00:26:52,760 WHAT COULD YOU DO ABOUT IT? 373 00:27:18,352 --> 00:27:20,387 MRS. YARNELL? 374 00:27:20,387 --> 00:27:21,722 YES. 375 00:27:21,722 --> 00:27:23,924 MATT WALKER. I.A.D. 376 00:27:23,924 --> 00:27:27,128 I'D LIKE TO SPEAK WITH YOUR HUSBAND. 377 00:27:27,128 --> 00:27:30,164 IS HE EXPECTING YOU? 378 00:27:30,164 --> 00:27:31,899 NOT EXACTLY. 379 00:27:31,899 --> 00:27:35,636 WELL, HE'S STILL SLEEPING. 380 00:27:36,337 --> 00:27:38,806 IT'S IMPORTANT, MA'AM. 381 00:27:39,607 --> 00:27:43,944 I DON'T REALLY FEEL COMFORTABLE ABOUT WAKING HIM UP RIGHT NOW. 382 00:27:43,944 --> 00:27:45,980 HE'S REALLY TIRED. 383 00:27:50,351 --> 00:27:52,753 YEAH. 384 00:27:53,220 --> 00:27:55,756 SOMETHING I CAN HELP YOU WITH? 385 00:28:02,696 --> 00:28:04,832 HOW YOU DOING, MIKE? 386 00:28:06,300 --> 00:28:06,867 OH, SHIT. 387 00:28:06,867 --> 00:28:10,171 DON'T TELL ME YOU'RE THE SAME WALKER WITH I.A.D. 388 00:28:11,839 --> 00:28:13,941 BEEN A LONG TIME. YEAH. 389 00:28:13,941 --> 00:28:15,409 HONEY, MATT AND ME-- 390 00:28:15,409 --> 00:28:19,780 WE USED TO WORK TOGETHER WHEN WE WERE HOT SHOTS OUT OF THE ACADEMY. 391 00:28:19,780 --> 00:28:21,715 REALLY? YEAH. 392 00:28:21,715 --> 00:28:23,417 HE'S COME A LONG WAY. 393 00:28:23,417 --> 00:28:27,555 MADE HIS STRIPES CRAWLING UP OTHER COPS' ASSES. 394 00:28:27,555 --> 00:28:30,024 AIN'T THAT RIGHT, MATT? 395 00:28:30,824 --> 00:28:34,028 I DIDN'T DRIVE ALL THE WAY OUT HERE TO GIVE YOU GRIEF, 396 00:28:34,028 --> 00:28:36,664 SO LIGHTEN UP, ALL RIGHT? 397 00:28:36,664 --> 00:28:38,766 I TAKE A FEW DAYS OFF SICK, 398 00:28:38,766 --> 00:28:41,335 I.A.D. SHOWS UP ON MY FUCKING DOORSTEP? 399 00:28:41,335 --> 00:28:42,536 HOW AM I SUPPOSED TO FEEL? 400 00:28:42,536 --> 00:28:44,104 NOBODY AT I.A.D. WANTS TO HURT YOU. 401 00:28:44,104 --> 00:28:45,873 I JUST WANT TO SPEND A FEW MINUTES WITH YOU, 402 00:28:45,873 --> 00:28:46,740 ASK YOU SOME QUESTIONS. 403 00:28:46,740 --> 00:28:49,343 EVERYTHING I HAD TO SAY WAS IN MY REPORT. 404 00:28:49,343 --> 00:28:51,045 TANNER'LL BACK ME UP 100%. 405 00:28:51,045 --> 00:28:51,979 YOU'RE RIGHT. TANNER BACKS YOU UP. 406 00:28:51,979 --> 00:28:55,916 BUT WE NEED TO HEAR YOUR VERSION OF WHAT HAPPENED. 407 00:28:55,916 --> 00:28:57,418 CLOSE THIS OUT. 408 00:28:57,418 --> 00:28:58,152 YOU WANT TO TALK TO ME? 409 00:28:58,152 --> 00:29:01,722 YOU DO IT TO ME WHEN I'M ON THE CLOCK, NOT IN MY HOME. 410 00:29:03,057 --> 00:29:07,194 YOU'RE AGGRAVATING A SIMPLE PROCEDURAL MATTER, MIKE. 411 00:29:08,696 --> 00:29:10,698 MIKE, I THINK YOU SHOULD TALK TO HIM. 412 00:29:10,698 --> 00:29:13,234 GET IN THE HOUSE. 413 00:29:13,234 --> 00:29:15,236 HONEY, HE'S RIGHT. 414 00:29:15,236 --> 00:29:17,238 JUST GET IN THE HOUSE! 415 00:29:22,643 --> 00:29:24,245 OK. 416 00:29:24,245 --> 00:29:26,113 ONLY TRYING TO HELP. 417 00:29:26,113 --> 00:29:28,082 YEAH, RIGHT. 418 00:29:34,021 --> 00:29:36,357 WE KNOW THIS GUY YARNELL? 419 00:29:36,357 --> 00:29:38,926 P.A.: DR. DAVIS, TELEPHONE. 420 00:29:38,926 --> 00:29:41,428 WELL, HE'S, UH... 421 00:29:41,428 --> 00:29:42,896 HE WORKS HOLLYWOOD VICE. 422 00:29:42,896 --> 00:29:47,268 AND WE CAUGHT HIS PACKAGE THE DAY AFTER YOU WENT DOWN. 423 00:29:48,669 --> 00:29:52,106 HE AND HIS PARTNER, THEY WERE INVOLVED IN A... 424 00:29:52,106 --> 00:29:55,209 SHOOTING OF A RAPE PERP. 425 00:29:55,209 --> 00:29:57,444 HE HAD A RAZOR. 426 00:29:57,444 --> 00:30:00,214 POOR FUCKING PERP. 427 00:30:00,214 --> 00:30:02,850 PERP'S WIFE GOT THE A.C.L.U. INVOLVED. 428 00:30:02,850 --> 00:30:06,020 CLAIMS EXCESSIVE FORCE. 429 00:30:06,020 --> 00:30:07,087 YOU KNOW. THAT BULLSHIT. 430 00:30:07,087 --> 00:30:11,325 ANYWAY, THE ISSUING TEAM KICKED THE BALL DOWN TO US. 431 00:30:11,325 --> 00:30:12,893 I CHECK IT OUT. 432 00:30:12,893 --> 00:30:15,562 YARNELL'S GOT 3 PRIOR 181s. 433 00:30:15,562 --> 00:30:18,198 HE'S NOT COOPERATING. 434 00:30:18,198 --> 00:30:20,167 WHAT ABOUT THE PARTNER? 435 00:30:20,167 --> 00:30:23,671 HE TOOK 88 STITCHES FROM THE RAZOR. 436 00:30:23,671 --> 00:30:24,438 WHEW. 437 00:30:24,438 --> 00:30:27,574 SOUNDS PRETTY OPEN AND SHUT TO ME. 438 00:30:27,574 --> 00:30:32,680 THIS GUY YARNELL MAYBE HAVE A HARD-ON FOR YOU FOR SOME REASON? 439 00:30:32,680 --> 00:30:37,084 NO. BUT HE'S GOT A HARD-ON FOR ANYONE CONNECTED WITH I.A.D. 440 00:30:37,084 --> 00:30:39,153 YOU KNOW HOW THAT IS. 441 00:30:44,091 --> 00:30:45,893 HE'S A GOOD COP, GIB. 442 00:30:45,893 --> 00:30:47,494 HE'S HURTING. 443 00:30:47,494 --> 00:30:50,030 AND THAT'S A CRASH AND BURN IN THE MAKING, 444 00:30:50,030 --> 00:30:51,432 UNLESS HE GETS SOME HELP. 445 00:30:51,432 --> 00:30:54,301 WHY DON'T YOU RECOMMEND IT? 446 00:30:54,301 --> 00:30:56,637 HEY... 447 00:30:56,637 --> 00:30:59,006 IF COPS DON'T HELP COPS, 448 00:30:59,006 --> 00:31:01,342 WHO THE HELL ELSE WILL? 449 00:31:02,409 --> 00:31:05,512 YOU TOOK THE WORDS RIGHT OUT OF MY MOUTH, GIBBY. 450 00:31:29,303 --> 00:31:30,671 JUST TAKE IT EASY, WILL YOU? 451 00:31:30,671 --> 00:31:32,639 THIS GUY'S RUINING MY LIFE. 452 00:31:32,639 --> 00:31:35,175 YOU WANT ME TO TAKE IT EASY? 453 00:31:40,447 --> 00:31:43,217 COME BACK AT 7:00. WE'RE CLOSED. 454 00:31:43,217 --> 00:31:46,019 WE'RE LOOKING FOR FARRELL. 455 00:31:48,355 --> 00:31:50,858 I'M FARRELL. WHAT CAN I DO FOR YOU? 456 00:31:50,858 --> 00:31:52,659 CLASSY LITTLE PLACE. 457 00:31:52,659 --> 00:31:57,064 ALL EXCEPT FOR THE PIECE OF SHIT WHO OWNS IT. 458 00:31:57,631 --> 00:32:01,235 WHY DON'T YOU GUYS TAKE OFF AND LET ME GET BACK TO WORK? 459 00:32:01,869 --> 00:32:03,504 YOU KNOW, IT MAKES ME SICK 460 00:32:03,504 --> 00:32:05,739 JUST BEING IN HERE WITH YOU? 461 00:32:10,411 --> 00:32:12,880 GET THE FUCK OUT OF HERE. 462 00:32:15,048 --> 00:32:16,884 I'M CALLING THE COPS. 463 00:32:16,884 --> 00:32:18,886 WE ARE THE COPS. 464 00:32:22,456 --> 00:32:24,024 YOU'RE MELISSA'S HUSBAND. 465 00:32:24,024 --> 00:32:25,125 THAT'S RIGHT. 466 00:32:25,125 --> 00:32:27,728 SHE TOLD ME ALL ABOUT YOU, TOO. 467 00:32:27,728 --> 00:32:29,296 OH, YEAH? 468 00:32:30,097 --> 00:32:31,265 WELL, GET THE FUCK OUT OF HERE. 469 00:32:31,265 --> 00:32:34,668 HEY. NOW, YOU KEEP THAT HORSE COCK OUT OF MY FACE. 470 00:32:34,668 --> 00:32:36,170 I SAID GET OUT OF HERE! 471 00:32:36,170 --> 00:32:37,771 DON'T! DON'T. 472 00:32:37,771 --> 00:32:40,174 DON'T PROVOKE ME. 473 00:32:44,678 --> 00:32:46,079 COME HERE! COME HERE! 474 00:32:46,079 --> 00:32:48,115 YOU'RE GOING TO CLOSE DOWN, 475 00:32:48,115 --> 00:32:49,249 AND STAY THE FUCK OUT OF MY LIFE! 476 00:32:49,249 --> 00:32:53,086 YOU HEAR ME? I JUST WANT TO MAKE SURE YOU UNDERSTAND THAT. 477 00:32:53,086 --> 00:32:54,421 YOU LISTENING TO ME? 478 00:32:54,421 --> 00:32:56,156 LET ME SHOW YOU, YOU SON OF A BITCH! 479 00:32:56,156 --> 00:32:58,058 YOU REALIZE WHAT YOU DID TO ME? 480 00:32:58,058 --> 00:32:58,859 DO YOU HEAR ME? 481 00:32:58,859 --> 00:33:00,327 I JUST WANT TO MAKE SURE HE DOESN'T-- 482 00:33:00,327 --> 00:33:01,929 I KNOW. I'M ASKING. THAT'S ALL. 483 00:33:01,929 --> 00:33:04,698 YOU GODDAMNED NASTY CREEP! 484 00:33:04,698 --> 00:33:06,400 I'M ALL RIGHT! 485 00:33:06,400 --> 00:33:08,135 WHAT'S WRONG WITH YOU? 486 00:33:08,135 --> 00:33:09,102 I'M ALL RIGHT! 487 00:33:09,102 --> 00:33:11,872 YOU SON OF A BITCH! I WANT YOU OUT OF HERE! 488 00:33:11,872 --> 00:33:13,507 DROP THAT GUN! 489 00:33:13,507 --> 00:33:16,009 WHAT? ARE YOU GOING TO SHOOT ME? 490 00:33:17,277 --> 00:33:19,313 WHATEVER MELISSA TOLD YOU, 491 00:33:19,313 --> 00:33:20,414 SHE'S LYING. 492 00:33:20,414 --> 00:33:20,981 DROP IT! 493 00:33:20,981 --> 00:33:23,183 YOU AIN'T GOT THE BALLS TO SHOOT A COP. 494 00:33:23,183 --> 00:33:25,486 DON'T MAKE ME DO THIS. 495 00:33:25,486 --> 00:33:28,489 DROP THAT FUCKING GUN! 496 00:33:28,489 --> 00:33:30,791 LOOK AT YOU. YOU'RE SHAKING ALL OVER. 497 00:33:30,791 --> 00:33:33,827 YOU CAN'T COME IN HERE AND HASSLE ME. 498 00:33:33,827 --> 00:33:35,596 AND THEY'LL TAKE AWAY YOUR BADGE. 499 00:33:35,596 --> 00:33:38,732 MY BADGE? YOU MOTHER-- 500 00:33:43,804 --> 00:33:45,372 [GUNSHOT] 501 00:33:46,306 --> 00:33:47,374 [GROANING] 502 00:33:47,374 --> 00:33:48,709 OH, SHIT. SHIT. 503 00:33:48,709 --> 00:33:50,844 [RASPING] 504 00:33:52,346 --> 00:33:53,881 BILL... 505 00:33:55,916 --> 00:33:57,351 OH, SHIT. 506 00:33:57,351 --> 00:33:58,619 BILL... 507 00:33:58,619 --> 00:34:02,022 BILL, HE SHOT HIMSELF. HE SHOT HIMSELF! 508 00:34:02,022 --> 00:34:05,459 YOU HEAR ME? HE SHOT HIMSELF! 509 00:34:10,664 --> 00:34:11,565 CAPTAIN... 510 00:34:11,565 --> 00:34:13,066 I RECOMMEND THAT WE PUT YARNELL 511 00:34:13,066 --> 00:34:16,103 THROUGH A SERIES OF PSYCHOLOGICAL TESTING. 512 00:34:16,103 --> 00:34:17,871 A GOOD COP. HE DESERVES HELP. 513 00:34:17,871 --> 00:34:19,806 YOU'RE GOING TO NEED A LOT OF HELP. 514 00:34:19,806 --> 00:34:22,709 HE JUST KILLED A GUY. 515 00:34:25,579 --> 00:34:27,047 AND CATCH THIS. 516 00:34:27,047 --> 00:34:29,883 THE VICTIM WAS HIS WIFE'S BROTHER. 517 00:35:00,814 --> 00:35:03,584 [CRYING] GOD. 518 00:35:29,376 --> 00:35:32,446 [MOANS] 519 00:35:33,680 --> 00:35:34,548 JUST GET HOME? 520 00:35:34,548 --> 00:35:36,984 MELISSA, I HAVE TO TELL YOU SOMETHING. 521 00:35:36,984 --> 00:35:38,819 MMM. 522 00:35:38,819 --> 00:35:42,723 WHAT TIME DID YOU GET OFF WORK? 523 00:35:42,723 --> 00:35:45,125 THAT TURD FARRELL-- 524 00:35:47,260 --> 00:35:49,229 HE'S DEAD. 525 00:35:55,602 --> 00:35:57,471 IT WAS AN ACCIDENT. 526 00:35:57,471 --> 00:36:00,641 I JUST WENT THERE TO TALK TO HIM. 527 00:36:02,909 --> 00:36:07,280 HE PULLED OUT A GUN, AND WHEN I WENT TO TAKE IT AWAY... 528 00:36:08,782 --> 00:36:09,449 HE'S DEAD? 529 00:36:09,449 --> 00:36:13,320 I SWEAR TO GOD IT WAS AN ACCIDENT, MELISSA. 530 00:36:14,521 --> 00:36:17,457 I JUST WENT THERE TO SCARE HIM, 531 00:36:17,457 --> 00:36:20,460 SO HE'D STOP HASSLING YOU. 532 00:36:20,460 --> 00:36:23,430 I CAN'T BELIEVE IT. 533 00:36:23,430 --> 00:36:25,565 BELIEVE ME, MELISSA, PLEASE. 534 00:36:25,565 --> 00:36:26,767 NO. 535 00:36:26,767 --> 00:36:29,002 PLEASE DON'T HATE ME. 536 00:36:35,075 --> 00:36:36,843 NO. 537 00:36:38,311 --> 00:36:40,147 [SOBBING] 538 00:36:40,147 --> 00:36:44,885 YOU'RE ALL I GOT LEFT IN THIS WORLD. 539 00:36:49,790 --> 00:36:52,526 I NEED YOU. 540 00:36:53,493 --> 00:36:55,529 TOUCH ME. 541 00:37:02,135 --> 00:37:04,371 BE WITH ME. 542 00:37:17,484 --> 00:37:19,586 BE WITH ME. 543 00:38:04,197 --> 00:38:05,999 YOU HATE ME. 544 00:38:05,999 --> 00:38:08,869 THIS IS BULLSHIT, CAPTAIN. 545 00:38:08,869 --> 00:38:12,773 YOU TAKE AWAY MY BADGE, YOU MAKE ME LOOK GUILTY. 546 00:38:16,843 --> 00:38:18,678 UNTIL FURTHER NOTICE, YOUR HOME WILL BE 547 00:38:18,678 --> 00:38:20,213 YOUR REGULAR DUTY ASSIGNMENT, 548 00:38:20,213 --> 00:38:21,481 DURING YOUR REGULARLY SCHEDULED WATCHES. 549 00:38:21,481 --> 00:38:25,986 EACH DAY, YOU WILL STAY IN CONTACT WITH YOUR WATCH COMMANDER, 550 00:38:25,986 --> 00:38:29,489 AND INFORM HIM OF ANY CHANGE IN LOCATION, 551 00:38:29,489 --> 00:38:31,525 DUE TO OFFICIAL BUSINESS. 552 00:38:31,525 --> 00:38:32,492 HEH. 553 00:38:32,492 --> 00:38:34,327 LIKE THE SHRINK? 554 00:38:34,327 --> 00:38:35,162 YEAH. 555 00:38:35,162 --> 00:38:37,364 STANDARD DEPARTMENTAL PROCEDURE. 556 00:38:37,364 --> 00:38:39,432 YEAH, WELL, THAT'S WHAT THEY SAY 557 00:38:39,432 --> 00:38:42,602 RIGHT BEFORE THEY NAIL YOUR ASS TO THE WALL, CAPTAIN. 558 00:38:49,476 --> 00:38:50,744 WHAT THE HELL'S GOING ON? 559 00:38:50,744 --> 00:38:52,445 WHAT'S HE DOING AT MY DESK? 560 00:38:52,445 --> 00:38:53,580 HEY! 561 00:38:53,580 --> 00:38:55,015 NO. I'M ALL RIGHT. I'M ALL RIGHT. 562 00:38:55,015 --> 00:38:56,249 YOU HAVING FUN RUINING MY LIFE? 563 00:38:56,249 --> 00:38:58,285 YOU TOOK MY GUN. YOU TOOK MY BADGE. 564 00:38:58,285 --> 00:38:59,419 COOL IT DOWN, MIKE, OK? 565 00:38:59,419 --> 00:39:00,587 MAYBE YOU WANT MY DESK, HUH? 566 00:39:00,587 --> 00:39:03,757 WHAT ARE YOU DOING? MIKE, MIKE! 567 00:39:03,757 --> 00:39:05,158 HERE, TAKE MY... 568 00:39:05,158 --> 00:39:08,295 MIKE! MIKE! COME ON, MIKE! 569 00:39:08,895 --> 00:39:10,530 YOU'RE DEAD! 570 00:39:10,530 --> 00:39:11,965 YOU'RE DEAD! YOU'RE DEAD! 571 00:39:11,965 --> 00:39:13,900 MIKE, YOU NEED HELP, MIKE! 572 00:39:13,900 --> 00:39:16,870 YOU NEED FUCKING HELP. 573 00:39:31,284 --> 00:39:33,987 Minister: THROUGH OUR LORD JESUS CHRIST, 574 00:39:33,987 --> 00:39:36,289 WE COMMEND TO ALMIGHTY GOD 575 00:39:36,289 --> 00:39:39,359 OUR BROTHER FARRELL LERNOUX. 576 00:39:39,359 --> 00:39:42,729 AND WE COMMIT HIS BODY TO THE GROUND. 577 00:39:42,729 --> 00:39:45,031 EARTH TO EARTH. 578 00:39:45,565 --> 00:39:47,934 ASHES TO ASHES. 579 00:39:47,934 --> 00:39:50,203 DUST TO DUST. 580 00:39:51,104 --> 00:39:53,640 THE LORD BLESS HIM AND KEEP HIM. 581 00:39:53,640 --> 00:39:56,843 THE LORD MAKE HIS FACE TO SHINE UPON HIM, 582 00:39:56,843 --> 00:39:58,511 AND BE GRACIOUS UNTO HIM. 583 00:39:58,511 --> 00:40:02,849 THE LORD LIFT UP HIS COUNTENANCE UPON HIM, 584 00:40:02,849 --> 00:40:05,418 AND GIVE HIM PEACE. 585 00:40:05,418 --> 00:40:06,953 AMEN. 586 00:40:06,953 --> 00:40:09,489 All: AMEN. 587 00:40:09,489 --> 00:40:10,757 THE LORD BE WITH YOU. 588 00:40:10,757 --> 00:40:16,229 WITH THY SPIRIT, LET US PRAY. 589 00:40:20,500 --> 00:40:21,902 Woman: BEAUTIFUL SERVICE, FATHER. 590 00:40:21,902 --> 00:40:24,571 Man: THANK YOU, FATHER. THAT WAS VERY NICE. 591 00:40:38,184 --> 00:40:42,756 YOU GOT SOME NERVE SHOWING UP HERE TO HARASS ME. 592 00:40:51,131 --> 00:40:54,000 Mike: YOU JUST REMEMBER WHAT I SAID, WALKER, HUH? 593 00:40:54,000 --> 00:40:56,269 [IMITATES GUNSHOT] 594 00:41:04,344 --> 00:41:07,280 I WAS JUST SAYING HELLO. 595 00:41:14,487 --> 00:41:16,623 [ENGINE STARTS] 596 00:41:17,958 --> 00:41:22,162 Gibson: ALL RIGHT. GIVE ME CHAPTER AND VERSE. 597 00:41:22,162 --> 00:41:24,664 WE TOOK AWAY HIS GUN, HIS SHIELD, 598 00:41:24,664 --> 00:41:25,665 PUT HIM ON SUSPENSION. 599 00:41:25,665 --> 00:41:28,668 THAT DOESN'T TAKE CARE OF THE DOMESTIC SITUATION. 600 00:41:28,668 --> 00:41:31,404 I'LL BET EVEN MONEY HE TAKES IT OUT ON HIS WIFE. 601 00:41:31,404 --> 00:41:34,908 HEY, YOU'VE DONE YOUR JOB. LEAVE IT ALONE NOW. 602 00:41:34,908 --> 00:41:37,177 I DON'T KNOW. LOOK, THIS GUY YARNELL, 603 00:41:37,177 --> 00:41:38,078 BROTHER IN BLUE, 604 00:41:38,078 --> 00:41:39,579 HE'S LOOKING AT MURDER ONE. 605 00:41:39,579 --> 00:41:40,814 HEY, YOU CAN'T BE RESPONSIBLE 606 00:41:40,814 --> 00:41:43,249 FOR EVERY BADGE IN THE DEPARTMENT. 607 00:41:43,249 --> 00:41:45,051 I'M NOT TALKING BADGE. 608 00:41:45,051 --> 00:41:47,854 I'M TALKING HUMAN BEING, GIB. 609 00:41:51,391 --> 00:41:52,959 [SIGHS] 610 00:41:58,365 --> 00:42:00,200 EXCUSE ME. 611 00:42:01,901 --> 00:42:03,036 HI. 612 00:42:03,036 --> 00:42:04,170 SORRY I'M LATE. 613 00:42:04,170 --> 00:42:06,106 I WAS AT THE D.A.'s OFFICE. 614 00:42:06,106 --> 00:42:08,708 NO. NO, PLEASE, I'M JUST GRATEFUL THAT YOU COULD COME. 615 00:42:08,708 --> 00:42:12,679 I DIDN'T REALLY KNOW WHO TO CALL. 616 00:42:13,713 --> 00:42:16,616 I COULDN'T CALL TANNER. 617 00:42:17,584 --> 00:42:19,586 I REALIZE HOW DIFFICULT IT IS 618 00:42:19,586 --> 00:42:23,023 FOR A COP'S WIFE TO REACH OUT. 619 00:42:23,023 --> 00:42:23,857 [SCOFFS] 620 00:42:23,857 --> 00:42:26,826 YEAH. HOW DOES YOUR WIFE HANDLE IT? 621 00:42:26,826 --> 00:42:29,362 SHE DIDN'T. 622 00:42:32,665 --> 00:42:34,934 I'M SORRY. 623 00:42:34,934 --> 00:42:36,169 SO AM I, 624 00:42:36,169 --> 00:42:39,039 AND SHE'S A LOT HAPPIER WITHOUT ME. 625 00:42:40,473 --> 00:42:43,043 MRS. YARNELL... 626 00:42:43,910 --> 00:42:46,012 YOUR HUSBAND'S A GOOD COP. 627 00:42:46,012 --> 00:42:48,181 HE JUST CLOCKED A FEW TOO MANY HOURS 628 00:42:48,181 --> 00:42:50,050 OUT THERE IN JUNGLE LAND, 629 00:42:50,050 --> 00:42:52,385 AND HE NEEDS HELP. 630 00:42:54,587 --> 00:42:56,222 YEAH. 631 00:42:56,222 --> 00:43:00,927 IT'S BEEN REALLY DIFFICULT THIS PAST YEAR WITH HIM. 632 00:43:09,936 --> 00:43:12,939 HEY, WOULD YOU LIKE A DRINK? 633 00:43:12,939 --> 00:43:16,242 NO, I DON'T DRINK. 634 00:43:17,310 --> 00:43:18,478 LOOK, I'M REALLY SORRY. 635 00:43:18,478 --> 00:43:20,246 I'M USUALLY NOT LIKE THIS. 636 00:43:20,246 --> 00:43:22,082 IT'S JUST... 637 00:43:22,082 --> 00:43:24,484 [SIGHS] 638 00:43:24,484 --> 00:43:26,619 UM... 639 00:43:26,619 --> 00:43:30,156 LOOK, I'M A GOOD LISTENER. 640 00:43:30,156 --> 00:43:31,691 HMM? 641 00:43:32,258 --> 00:43:36,062 YOU'VE GOT SUCH PATIENCE. 642 00:43:36,062 --> 00:43:38,932 YOUR KIDS MUST LOVE YOU. 643 00:43:39,833 --> 00:43:42,202 ONE. 644 00:43:42,202 --> 00:43:45,438 SHE'S ALREADY WAY BEYOND ME. 645 00:43:45,438 --> 00:43:47,540 IN WHAT WAY? 646 00:43:47,540 --> 00:43:50,076 IN WHAT WAY? 647 00:43:50,543 --> 00:43:52,779 WELL, SHE... 648 00:43:53,746 --> 00:43:56,116 SHE'S NOT AFRAID OF NEW EXPERIENCES. 649 00:43:56,116 --> 00:44:00,386 SHE LIKES PEOPLE, SHE TRUSTS THEM. 650 00:44:00,720 --> 00:44:04,023 AND YOU DON'T TRUST PEOPLE? 651 00:44:04,190 --> 00:44:08,261 IT'S NOT THAT. IT'S JUST BEING A COP... 652 00:44:08,261 --> 00:44:09,362 MY WIFE... 653 00:44:09,362 --> 00:44:13,299 [CHUCKLES] IT'S A BIT CYNICAL. 654 00:44:13,366 --> 00:44:15,401 I'M NOT HERE TO TALK ABOUT ME. 655 00:44:15,401 --> 00:44:18,873 HOW CAN--WHAT CAN I DO? HOW CAN I HELP YOU? 656 00:44:18,873 --> 00:44:21,406 WELL, I, UM... 657 00:44:21,409 --> 00:44:25,480 I FINALLY GOT MIKE TO COME TO SEE A THERAPIST WITH ME. 658 00:44:25,480 --> 00:44:27,415 THAT'S GOOD. 659 00:44:27,815 --> 00:44:31,986 YEAH, AND THEN THIS THING WITH MY BROTHER HAPPENED. 660 00:44:31,986 --> 00:44:33,988 [SIGHING] 661 00:44:35,123 --> 00:44:38,426 IS THERE ANY INFORMATION YOU CAN TELL US THAT-- 662 00:44:38,426 --> 00:44:41,596 THAT MAY HELP UNDERSTAND WHAT PROVOKED 663 00:44:41,596 --> 00:44:44,399 YOUR BROTHER AND MIKE? 664 00:44:44,399 --> 00:44:47,301 YEAH. MY BROTHER WAS DISTURBED. 665 00:44:47,301 --> 00:44:50,571 AND I'M SURE HE JUST PUSHED MIKE... 666 00:44:50,571 --> 00:44:52,607 A LITTLE BIT TOO FAR. 667 00:44:52,607 --> 00:44:54,876 WHAT WAS... 668 00:44:55,877 --> 00:45:00,381 CAN YOU TELL ME THE NAME OF THE THERAPIST? 669 00:45:00,381 --> 00:45:01,482 UM... 670 00:45:01,482 --> 00:45:04,218 YEAH. DR. EUGENE HALPERIN. 671 00:45:04,218 --> 00:45:07,221 WHERE IS HE LOCATED? 672 00:45:08,456 --> 00:45:11,192 HE'S IN BEVERLY HILLS. 673 00:45:11,325 --> 00:45:15,797 I REALIZE THE DIFFICULT POSITION YOU'RE IN RIGHT NOW. 674 00:45:15,797 --> 00:45:17,665 LOOK, UH... 675 00:45:17,665 --> 00:45:19,233 YOU CAN... 676 00:45:19,233 --> 00:45:20,234 THERE'S A NUMBER ON THERE. 677 00:45:20,234 --> 00:45:23,371 YOU CAN REACH ME ANYTIME, DAY OR NIGHT, IF YOU NEED HELP, 678 00:45:23,371 --> 00:45:25,873 OR ANY QUESTIONS, ANYTHING. 679 00:45:27,375 --> 00:45:29,777 OK. 680 00:45:30,378 --> 00:45:32,213 THANKS. 681 00:45:40,154 --> 00:45:42,590 WELL, GIVEN WHAT LITTLE I'VE SEEN OF HER HUSBAND 682 00:45:42,590 --> 00:45:46,427 I CAN WELL UNDERSTAND WHY SHE'S CONCERNED. 683 00:45:46,427 --> 00:45:47,962 GIVEN THAT, I'M SORRY. I'M... 684 00:45:47,962 --> 00:45:51,899 I DON'T THINK I CAN BE OF MUCH HELP. 685 00:45:52,033 --> 00:45:54,402 WELL, DOC, CAN YOU TELL ME HOW MAYBE 686 00:45:54,402 --> 00:45:57,572 HER BROTHER FITS INTO THE SCENARIO. 687 00:45:57,572 --> 00:45:58,906 AGAIN, I'M SORRY. 688 00:45:58,906 --> 00:46:00,608 THAT WOULD BE A VIOLATION 689 00:46:00,608 --> 00:46:03,778 OF DOCTOR/PATIENT CONFIDENTIALITY. 690 00:46:04,212 --> 00:46:06,180 YOU KNOW, DOC, UNDER CALIFORNIA LAW, 691 00:46:06,180 --> 00:46:09,751 THERE ARE LIMITS TO DOCTOR/PATIENT CONFIDENTIALITY. 692 00:46:09,751 --> 00:46:11,419 I'M WELL AWARE OF THE LAW, LIEUTENANT, 693 00:46:11,419 --> 00:46:15,790 AND BELIEVE ME, IF AN OVERT THREAT HAD BEEN MADE IN MY PRESENCE, 694 00:46:15,790 --> 00:46:20,061 I WOULD'VE FOLLOWED THE LAW. 695 00:46:48,256 --> 00:46:49,957 [SIGHS] 696 00:47:05,840 --> 00:47:08,776 YOU KNOW, GIB... 697 00:47:08,776 --> 00:47:10,845 SOMETIMES I FEEL... 698 00:47:10,845 --> 00:47:12,914 LIFE IS LIKE... 699 00:47:12,914 --> 00:47:14,682 WINNING THE LOTTERY WHERE... 700 00:47:14,682 --> 00:47:16,717 THE JACKPOT IS A ONE-WAY TICKET 701 00:47:16,717 --> 00:47:18,953 DOWN THE HERSHEY TRAIL. 702 00:47:18,953 --> 00:47:20,021 I KNOW YOU, WALKER. 703 00:47:20,021 --> 00:47:22,623 YOU'RE THE KIND OF COP WHO PULLS LONG HOURS 704 00:47:22,623 --> 00:47:24,192 SO HE DON'T HAVE TO GO HOME AT NIGHT. 705 00:47:24,192 --> 00:47:25,459 WHEN YOU DO GO HOME, THERE'S NOTHING THERE 706 00:47:25,459 --> 00:47:29,030 EXCEPT CHICKEN POT PIES AND LATE-NIGHT MOVIES. 707 00:47:29,030 --> 00:47:30,832 YOU SLEEP WITH THE LIGHTS ON, 708 00:47:30,832 --> 00:47:33,534 YOU CAN'T WAIT TILL MORNING ROLLS AROUND. 709 00:47:33,534 --> 00:47:35,336 THAT WAY YOU DON'T HAVE TO ASK YOURSELF, 710 00:47:35,336 --> 00:47:37,772 IS THIS WHAT IT ALL COMES DOWN TO? 711 00:47:37,772 --> 00:47:41,542 WHERE'D I MISS OUT? WHERE'D I MAKE A WRONG TURN? 712 00:47:41,542 --> 00:47:42,476 WHAT ARE YOU TRYING TO TELL ME? 713 00:47:42,476 --> 00:47:44,579 I'M TRYING TO TELL YOU WHAT ANY COP WOULD TELL YOU. 714 00:47:44,579 --> 00:47:45,947 YOU GET INVOLVED IN A DOMESTIC SITUATION, 715 00:47:45,947 --> 00:47:49,317 YOU END UP WITH YOUR BALLS ROLLED UP REAL TIGHT. 716 00:47:50,618 --> 00:47:53,087 [RAIN FALLING] 717 00:47:53,087 --> 00:47:55,523 [DOOR CLOSES] 718 00:48:05,666 --> 00:48:07,268 [DOOR CLOSES] 719 00:48:07,268 --> 00:48:08,369 OHH. 720 00:48:08,369 --> 00:48:08,870 DAMN IT. 721 00:48:08,870 --> 00:48:12,874 I GOTTA REMEMBER TO ASK HER WHERE SHE GOT THOSE SHOES. 722 00:48:12,874 --> 00:48:14,709 [SIGHS] 723 00:48:18,346 --> 00:48:20,715 WHERE HAVE YOU BEEN? 724 00:48:23,317 --> 00:48:25,219 Melissa: OUT. 725 00:48:26,954 --> 00:48:28,556 OUT! 726 00:48:29,790 --> 00:48:33,060 THAT'S A GOOD ANSWER, MELISSA. 727 00:48:33,761 --> 00:48:35,196 LOOK AT ME WHEN I'M TALKING TO YOU. 728 00:48:35,196 --> 00:48:38,532 YOU DON'T HAVE TO SHOUT, MIKE. I CAN HEAR YOU FINE. 729 00:48:38,532 --> 00:48:39,734 ALL RIGHT. I WON'T. 730 00:48:39,734 --> 00:48:41,769 JUST TELL ME WHERE YOU'VE BEEN. 731 00:48:41,769 --> 00:48:43,604 I WANT TO KNOW. 732 00:48:43,604 --> 00:48:46,440 I WANT TO KNOW! 733 00:48:48,309 --> 00:48:49,310 DON'T WALK AWAY. HEY! 734 00:48:49,310 --> 00:48:53,981 I'VE BEEN GOING THROUGH A LOT OF SHIT BECAUSE OF YOU! 735 00:48:53,981 --> 00:48:55,216 LET GO OF ME! 736 00:48:55,216 --> 00:48:56,384 I'M MORTGAGED TO THE HILT 737 00:48:56,384 --> 00:48:58,686 SO YOU CAN PLAY DRESS UP? I DON'T THINK SO. 738 00:48:58,686 --> 00:49:01,889 THE LEAST YOU CAN DO FOR ME IS BE HERE WHEN I GET HOME. 739 00:49:01,889 --> 00:49:03,858 COME ON. BE MY BABY. 740 00:49:03,858 --> 00:49:05,259 AAH! DON'T! 741 00:49:05,259 --> 00:49:07,795 WHAT'S YOUR PROBLEM, MELISSA? HUH? 742 00:49:07,795 --> 00:49:09,096 LET ME GO, MIKE! 743 00:49:09,096 --> 00:49:11,032 WHO WILL I HAVE TO FIX THIS TIME?! 744 00:49:11,032 --> 00:49:12,967 WHERE THE HELL ARE YOU GOING TO GO? WHERE? 745 00:49:12,967 --> 00:49:15,303 DON'T TOUCH ME, MIKE! DON'T YOU TOUCH ME! 746 00:49:15,303 --> 00:49:16,570 DON'T YOU LOCK ME OUT! 747 00:49:16,570 --> 00:49:17,238 GET AWAY! 748 00:49:17,238 --> 00:49:19,273 OPEN THIS DOOR! STAY AWAY! 749 00:49:19,273 --> 00:49:19,774 OPEN IT! 750 00:49:19,774 --> 00:49:22,643 STAY AWAY! I'M CALLING THE POLICE. 751 00:49:24,011 --> 00:49:25,446 AH! 752 00:49:25,780 --> 00:49:27,014 [TELEPHONE DINGS] 753 00:49:27,014 --> 00:49:27,548 AAH! 754 00:49:27,548 --> 00:49:29,383 YOU'VE BEEN SEEING SOMEBODY 755 00:49:29,383 --> 00:49:30,518 ON THE SIDE, HAVEN'T YOU? 756 00:49:30,518 --> 00:49:31,185 LET ME GO! DON'T LIE! 757 00:49:31,185 --> 00:49:34,322 YOU WERE FUCKING AROUND BEHIND MY BACK, RIGHT? 758 00:49:34,322 --> 00:49:36,257 YOU PATHETIC BASTARD, LET ME GO! 759 00:49:36,257 --> 00:49:37,158 DON'T LIE! 760 00:49:37,158 --> 00:49:39,026 ALL RIGHT! YES! 761 00:49:39,026 --> 00:49:41,529 I'VE BEEN FUCKING TANNER, DR. HALPERIN. 762 00:49:41,529 --> 00:49:42,964 NEXT THING YOU'LL THINK I'M GOING TO DO 763 00:49:42,964 --> 00:49:45,633 IS FUCK THAT I.A.D. GUY. WHAT'S HIS NAME?! 764 00:49:45,633 --> 00:49:47,601 SHUT UP! 765 00:49:54,575 --> 00:49:57,812 [CAR DOOR OPENS AND CLOSES] 766 00:49:57,812 --> 00:49:59,981 LIEUTENANT WALKER! 767 00:50:02,016 --> 00:50:05,319 I DIDN'T KNOW WHERE ELSE TO GO. 768 00:50:06,354 --> 00:50:09,824 LET'S AT LEAST GET YOU IN OUT OF THE RAIN. 769 00:50:31,645 --> 00:50:34,181 [THUNDER] 770 00:50:45,426 --> 00:50:46,894 [GASPS] 771 00:50:46,894 --> 00:50:49,363 SORRY. 772 00:50:49,864 --> 00:50:53,367 LET ME GET YOU SOMETHING FOR THOSE SCRATCHES. 773 00:50:56,737 --> 00:51:00,007 DO YOU WANT ME TO COME WITH YOU? 774 00:51:03,511 --> 00:51:05,246 UM...YEAH. 775 00:51:05,246 --> 00:51:08,749 IT'LL BE...EASIER. 776 00:51:18,526 --> 00:51:21,062 [THUNDER] 777 00:51:22,530 --> 00:51:24,065 [SNIFFLES] 778 00:51:25,399 --> 00:51:26,767 CHRIST... 779 00:51:26,767 --> 00:51:29,103 HE REALLY WENT AT YOU. 780 00:51:29,103 --> 00:51:30,371 YEAH. 781 00:51:30,371 --> 00:51:33,974 BUT HE'S DONE WORSE. 782 00:51:35,209 --> 00:51:36,310 THIS IS GOING TO... 783 00:51:36,310 --> 00:51:39,080 MAYBE STING JUST A LITTLE BIT. 784 00:51:39,080 --> 00:51:40,314 OK. 785 00:51:40,314 --> 00:51:41,148 EHH. 786 00:51:41,148 --> 00:51:43,084 [SOBS QUIETLY] 787 00:51:45,386 --> 00:51:47,421 [THUNDER] 788 00:51:47,855 --> 00:51:51,459 EHH. [SOBS] 789 00:51:51,459 --> 00:51:52,726 SORRY. 790 00:51:52,726 --> 00:51:54,128 IT'S OK. 791 00:51:54,128 --> 00:51:55,396 IT'S OK. 792 00:51:55,396 --> 00:51:57,264 [SNIFFLES] 793 00:51:57,264 --> 00:51:59,300 IT'S BETTER TO... 794 00:51:59,300 --> 00:52:01,735 PUT A LITTLE BIT THERE BECAUSE... 795 00:52:01,735 --> 00:52:04,438 THESE THINGS ARE DECEIVING. 796 00:52:11,479 --> 00:52:12,813 UH... 797 00:52:12,813 --> 00:52:14,849 NEED ANOTHER... 798 00:52:14,849 --> 00:52:17,618 PAD. 799 00:52:27,461 --> 00:52:28,395 EHH. SORRY. 800 00:52:28,395 --> 00:52:30,030 [TELEPHONE RINGS] 801 00:52:30,030 --> 00:52:31,265 IT'S ALL RIGHT. 802 00:52:31,265 --> 00:52:32,133 IT'S A... 803 00:52:32,133 --> 00:52:33,634 I BETTER GET THAT. 804 00:52:33,634 --> 00:52:35,336 CAN YOU HOLD THIS? 805 00:52:35,336 --> 00:52:36,303 [RING] 806 00:52:36,303 --> 00:52:38,272 PLEASE? 807 00:52:38,272 --> 00:52:39,673 [THUNDER] 808 00:52:39,673 --> 00:52:42,409 [RING] 809 00:52:43,077 --> 00:52:45,146 Matt: HELLO? 810 00:52:46,981 --> 00:52:48,582 I UNDERSTAND THAT, JOANNE, 811 00:52:48,582 --> 00:52:51,218 BUT IT'S NOT THAT EASY. 812 00:52:52,453 --> 00:52:54,288 I'M NOT BEING INFLEXIBLE. 813 00:52:54,288 --> 00:52:55,789 I JUST... 814 00:52:55,789 --> 00:52:58,826 [THUNDER] 815 00:52:58,826 --> 00:53:00,661 MM-HMM. 816 00:53:01,529 --> 00:53:01,996 YEAH. 817 00:53:01,996 --> 00:53:05,232 WELL, I'VE ALREADY GOT OUR PLANE TICKETS, OK? 818 00:53:05,232 --> 00:53:07,034 I PUT THEM ON THE CREDIT CARD. 819 00:53:07,034 --> 00:53:09,670 I'VE GOT THE TIME BLOCKED OFF. 820 00:53:11,071 --> 00:53:12,840 NO. 821 00:53:14,808 --> 00:53:16,143 I SEE YOUR POINT OF VIEW, 822 00:53:16,143 --> 00:53:17,678 BUT WHY DO I HAVE TO SEE MY DAUGHTER 823 00:53:17,678 --> 00:53:19,947 WHEN IT'S ONLY CONVENIENT FOR YOU? 824 00:53:26,854 --> 00:53:28,589 Mike: HUH? UH... 825 00:53:28,589 --> 00:53:30,691 I'M LISTENING. 826 00:53:39,667 --> 00:53:42,203 [THUNDER] 827 00:53:45,039 --> 00:53:47,541 Mike: LOOK, UH... 828 00:53:51,845 --> 00:53:53,547 Mike: YEAH. 829 00:53:59,220 --> 00:54:00,888 Mike: HUH? 830 00:54:05,659 --> 00:54:06,894 LOOK... 831 00:54:06,894 --> 00:54:07,928 WHY DON'T I JUST-- 832 00:54:07,928 --> 00:54:10,130 I'LL CALL YOU TOMORROW. WE'LL DISCUSS IT, 833 00:54:10,130 --> 00:54:12,766 AND WE'LL WORK SOMETHING OUT. 834 00:54:12,766 --> 00:54:14,735 YEAH. 835 00:54:15,636 --> 00:54:16,537 OK. 836 00:54:16,537 --> 00:54:17,871 CAN I SPEAK TO HER? 837 00:54:17,871 --> 00:54:19,840 YEAH, I JUST WANT TO SAY GOOD NIGHT. 838 00:54:19,840 --> 00:54:21,842 NO, I'M NOT GOING TO START ANYTHING. 839 00:54:21,842 --> 00:54:24,011 I JUST WANT TO TALK TO HER. 840 00:54:26,513 --> 00:54:29,083 Mike: HI, ANGEL FACE. 841 00:54:29,783 --> 00:54:31,518 NO, WE'RE GOING TO WORK IT OUT. 842 00:54:31,518 --> 00:54:35,789 OK? AND I'LL SEE YOU AND WE'LL GO AND WE'LL... 843 00:54:35,789 --> 00:54:37,091 YEAH. 844 00:54:37,091 --> 00:54:39,593 DISNEYLAND AND... 845 00:54:40,628 --> 00:54:42,296 OK. 846 00:54:42,296 --> 00:54:44,932 I LOVE YOU, TOO, SWEETIE. 847 00:54:44,932 --> 00:54:48,035 DON'T LET THE BED BUGS BITE. 848 00:54:49,737 --> 00:54:51,605 GOOD NIGHT. 849 00:54:55,376 --> 00:54:58,445 HOW OLD'S YOUR LITTLE GIRL? 850 00:55:03,450 --> 00:55:05,286 Mike: 6. 851 00:55:09,657 --> 00:55:10,224 UM... 852 00:55:10,224 --> 00:55:12,893 I HOPE YOU DON'T MIND THAT I PUT YOUR SHIRT ON. 853 00:55:12,893 --> 00:55:15,963 I WAS KIND OF FREEZING IN MY DRESS. 854 00:55:25,706 --> 00:55:27,041 SHIT. 855 00:55:27,041 --> 00:55:28,876 SORRY. I'M NOT THINKING. 856 00:55:28,876 --> 00:55:32,146 I'LL GET YOU A BLANKET. 857 00:55:36,450 --> 00:55:39,153 [FLOOR CREAKING] 858 00:55:43,290 --> 00:55:45,326 [THUNDER] 859 00:56:09,551 --> 00:56:12,354 YOU'RE VERY SWEET. 860 00:56:18,126 --> 00:56:19,928 GOOD NIGHT. 861 00:56:19,928 --> 00:56:24,032 CAN I GET YOU SOME COFFEE OR, UH, TEA? 862 00:56:29,003 --> 00:56:30,805 UM...YEAH. 863 00:56:30,805 --> 00:56:32,674 SOME COFFEE. 864 00:56:32,674 --> 00:56:35,710 A LITTLE MILK AND ONE SUGAR. 865 00:56:40,181 --> 00:56:42,717 [THUNDER] 866 00:57:00,135 --> 00:57:02,737 [COUNTRY MUSIC PLAYING] 867 00:57:04,205 --> 00:57:09,577 I FOUND HIM SITTING IN THE DARK WHEN I GOT HOME. 868 00:57:10,678 --> 00:57:14,082 SAW THAT HE WAS DRUNK. 869 00:57:18,653 --> 00:57:20,255 WHEN HE GETS LIKE THAT, 870 00:57:20,255 --> 00:57:23,558 HE ACCUSES ME OF THE UGLIEST THINGS. 871 00:57:23,958 --> 00:57:26,594 THERE'S NOTHING I CAN SAY. 872 00:57:26,594 --> 00:57:28,596 [SIGHS] 873 00:57:32,333 --> 00:57:37,105 THERE'S DIRTY PICTURES OF ME IN HIS MIND, AND HE... 874 00:57:39,641 --> 00:57:43,278 I BEG HIM TO STOP, BUT... 875 00:57:44,078 --> 00:57:46,781 HE'S OUT OF CONTROL. 876 00:57:51,986 --> 00:57:54,956 AND I RAN OUT... 877 00:57:59,360 --> 00:58:03,465 RAN OUT OF MY OWN HOUSE. 878 00:58:15,577 --> 00:58:18,513 Melissa: HI. YOU'VE REACHED THE YARNELL RESIDENCE. 879 00:58:18,513 --> 00:58:20,849 NEITHER MIKE NOR MELISSA ARE HOME. 880 00:58:20,849 --> 00:58:22,317 PLEASE LEAVE A MESSAGE. [BEEP] 881 00:58:22,317 --> 00:58:25,320 [COUNTRY MUSIC PLAYING THROUGHOUT] 882 00:58:33,828 --> 00:58:35,830 WATCH IT. 883 00:58:49,310 --> 00:58:50,678 ONE MORE. 884 00:58:50,678 --> 00:58:52,981 WHY DON'T YOU HANG IT UP, PAL, HUH? 885 00:58:52,981 --> 00:58:55,183 I'M CUTTING YOU OFF. 886 00:58:55,950 --> 00:58:57,318 DO YOU KNOW WHO I AM? 887 00:58:57,318 --> 00:58:59,621 YEAH. YOU'RE FUCKING GONE. 888 00:59:02,790 --> 00:59:03,691 HEY. 889 00:59:03,691 --> 00:59:05,493 BULLSHIT. 890 00:59:05,493 --> 00:59:06,961 YOU FUCKING CRAZY? 891 00:59:06,961 --> 00:59:08,463 I'M CLOSING YOU DOWN. 892 00:59:08,463 --> 00:59:11,366 [OVERLAPPING SHOUTING] 893 00:59:12,367 --> 00:59:13,835 UHH! 894 00:59:14,369 --> 00:59:16,638 [GRUNTING] 895 00:59:22,243 --> 00:59:23,678 AH! 896 00:59:24,846 --> 00:59:27,615 STAY DOWN, OK, PAL? 897 00:59:27,782 --> 00:59:30,585 YOU KNOW, YOU'RE A REAL FUCKING ASSHOLE. 898 00:59:30,585 --> 00:59:32,687 OH! 899 00:59:32,687 --> 00:59:35,256 AAH! 900 00:59:36,424 --> 00:59:36,758 OH! 901 00:59:36,758 --> 00:59:43,831 ♪ I SAY YOU CAN TAKE THE BOY OUT OF THE COUNTRY ♪ 902 00:59:43,898 --> 00:59:50,405 ♪ BUT YOU CAN'T TAKE THE COUNTRY OUT OF THE BOY ♪ 903 01:00:10,925 --> 01:00:15,263 GET OUT. I'M GETTING DRUNK JUST SMELLING YOU. 904 01:00:26,174 --> 01:00:29,577 LOOK AT YOU. YOU'RE A MESS. 905 01:00:29,577 --> 01:00:33,281 I THINK I'M LOSING HER, BILL. 906 01:00:34,482 --> 01:00:36,818 EVERY TIME I TRY TO DO SOMETHING ABOUT IT, 907 01:00:36,818 --> 01:00:40,088 I JUST KEEP PUSHING HER FURTHER AWAY. 908 01:00:40,088 --> 01:00:43,124 I JUST KEEP FUCKING UP. 909 01:00:44,025 --> 01:00:47,962 I THINK SHE'S UP TO SOMETHING. 910 01:00:50,932 --> 01:00:52,400 WHAT ARE YOU SAYING? 911 01:00:52,400 --> 01:00:54,702 SHE SCREWING SOMEBODY? 912 01:00:54,702 --> 01:00:57,171 LISTEN TO YOURSELF. 913 01:00:57,171 --> 01:00:58,039 YOU'RE PARANOID. 914 01:00:58,039 --> 01:01:01,309 YOU BETTER JUST CALM DOWN. CALM DOWN? 915 01:01:01,309 --> 01:01:02,076 YEAH, CALM DOWN! 916 01:01:02,076 --> 01:01:04,512 BECAUSE YOU'RE GOING TO HAVE A NERVOUS BREAKDOWN. 917 01:01:04,512 --> 01:01:07,548 YOU CAN'T GO ON LIKE THIS. 918 01:01:07,548 --> 01:01:09,717 DRINKING AND ACTING LIKE A MADMAN. 919 01:01:09,717 --> 01:01:11,853 YOU CAN'T DO THIS, MIKE. 920 01:01:11,853 --> 01:01:14,322 YOU CAN'T DO IT. 921 01:01:14,789 --> 01:01:17,392 YOU BETTER GO INSIDE, TELL HER YOU'RE SORRY, 922 01:01:17,392 --> 01:01:19,527 AND STRAIGHTEN THIS THING OUT. 923 01:01:19,527 --> 01:01:21,496 YOU UNDERSTAND ME? 924 01:01:22,530 --> 01:01:24,265 DO YOU UNDERSTAND ME? 925 01:01:26,200 --> 01:01:27,935 GO ON. 926 01:01:48,823 --> 01:01:50,692 MELI-- 927 01:01:53,594 --> 01:01:55,196 HI. 928 01:01:58,232 --> 01:02:02,203 LOOK, I'M A REAL SHIT. I KNOW IT. 929 01:02:03,037 --> 01:02:06,107 I NEVER SHOULD'VE SAID THOSE THINGS TO YOU. 930 01:02:06,107 --> 01:02:06,607 YOU'RE RIGHT. 931 01:02:06,607 --> 01:02:11,879 YEAH, BUT WHEN YOU SAID THOSE THINGS TO ME, I WENT CRAZY. 932 01:02:13,848 --> 01:02:16,818 LISTEN, I CALLED ALL OVER THE PLACE FOR YOU LAST NIGHT, 933 01:02:16,818 --> 01:02:18,586 WHERE THE HELL DID YOU GO? 934 01:02:18,586 --> 01:02:19,954 I STAYED WITH A FRIEND. 935 01:02:19,954 --> 01:02:21,389 WHO? 936 01:02:21,556 --> 01:02:23,991 MIKE, DON'T START IN ON ME AGAIN. 937 01:02:23,991 --> 01:02:25,893 ALL RIGHT. ALL RIGHT! 938 01:02:30,765 --> 01:02:33,101 HOW DID YOU GET THESE SCRATCHES? 939 01:02:33,101 --> 01:02:35,536 DON'T TOUCH ME! 940 01:02:35,536 --> 01:02:37,138 YOU DON'T REMEMBER? 941 01:02:37,138 --> 01:02:40,007 HOW COULD YOU REMEMBER? YOU WERE DRUNK! 942 01:02:40,007 --> 01:02:42,376 LOOK, I SAID I WAS... 943 01:02:42,376 --> 01:02:43,911 [SOBBING] 944 01:02:43,911 --> 01:02:45,413 I'M SORRY. LOOK... 945 01:02:45,413 --> 01:02:46,581 [SIGHS] 946 01:02:46,581 --> 01:02:48,583 I'LL DO ANYTHING. 947 01:02:51,319 --> 01:02:55,089 GO SLEEP IT OFF ON THE COUCH. 948 01:03:38,966 --> 01:03:41,769 I JUST GOT A CALL FROM A PAL OF MINE AT THE D.A.'s OFFICE. 949 01:03:41,769 --> 01:03:47,275 THEY'RE SERIOUSLY CONSIDERING CHARGING YOUR FRIEND YARNELL WITH MURDER ONE. 950 01:03:47,275 --> 01:03:49,911 THAT'S BULLSHIT. 951 01:03:49,911 --> 01:03:52,180 WHAT DO THEY HAVE THAT WE COULDN'T FIND? 952 01:03:52,180 --> 01:03:54,782 JUST A LITTLE THING CALLED THE TRUTH. 953 01:03:54,782 --> 01:03:59,020 [TELEPHONE RINGS] 954 01:03:59,020 --> 01:04:01,022 WALKER. 955 01:04:02,523 --> 01:04:05,560 YEAH, HANG ON JUST A SECOND. 956 01:04:05,560 --> 01:04:07,061 PLEASE. 957 01:04:09,664 --> 01:04:12,900 TAKE A WALK, POINDEXTER. 958 01:04:16,070 --> 01:04:18,239 WHAT'S WRONG? 959 01:04:18,239 --> 01:04:21,475 ALL RIGHT, SLOW DOWN. JUST... 960 01:04:21,475 --> 01:04:26,214 DON'T WORRY. JUST TELL ME WHERE AND WHEN, AND I'LL BE THERE. 961 01:04:40,428 --> 01:04:43,497 SORRY TO BARGE INTO YOUR LIFE AGAIN. 962 01:04:43,931 --> 01:04:46,767 IT'S ALL RIGHT. ARE YOU OK? 963 01:04:47,635 --> 01:04:48,469 NO, I'M NOT OK. 964 01:04:48,469 --> 01:04:52,039 I FEEL LIKE I'M STUCK IN SOMEONE ELSE'S NIGHTMARE. 965 01:04:52,039 --> 01:04:54,575 [SIGHING] 966 01:05:03,584 --> 01:05:06,120 [THUNDER] 967 01:05:18,900 --> 01:05:20,735 I'M LEAVING HIM. 968 01:05:25,406 --> 01:05:27,575 I'M LEAVING MIKE. 969 01:05:28,209 --> 01:05:31,178 I JUST CAN'T TAKE ANOTHER DAY OF IT. 970 01:05:34,882 --> 01:05:37,285 WELL, YOU KNOW WHAT YOU HAVE TO DO, AND... 971 01:05:37,285 --> 01:05:41,055 YOU KNOW WHAT'S INSIDE YOUR HEART. 972 01:05:49,997 --> 01:05:53,401 WHY CAN'T I HAVE A SIMPLE LIFE? 973 01:06:10,751 --> 01:06:14,922 YOU DON'T HAVE TO PAY FOR SOMEBODY ELSE'S SINS. 974 01:06:20,661 --> 01:06:23,798 I KNOW, BUT I FEEL GUILTY. 975 01:06:32,473 --> 01:06:36,711 I FEEL GUILTY BECAUSE I CAN'T GET YOU OUT OF MY MIND. 976 01:06:44,085 --> 01:06:45,586 I CAN'T. 977 01:06:50,257 --> 01:06:52,360 [SIGHS] 978 01:06:55,196 --> 01:06:56,998 IS THAT WRONG? 979 01:09:15,669 --> 01:09:18,973 [DOORBELL RINGS] 980 01:09:30,050 --> 01:09:33,053 [DOORBELL RINGS] 981 01:09:39,593 --> 01:09:40,494 YEAH? 982 01:09:40,494 --> 01:09:42,863 UH, IS MELISSA HERE? 983 01:09:43,731 --> 01:09:46,100 YEAH, SURE, COME ON IN. 984 01:09:50,671 --> 01:09:54,041 UH, WHY DON'T YOU JUST GO AHEAD AND WAIT IN THE LIVING ROOM? 985 01:09:54,041 --> 01:09:56,577 I'LL TELL HER YOU'RE HERE. 986 01:09:56,577 --> 01:09:58,279 SURE. 987 01:10:03,117 --> 01:10:04,852 MELISSA? 988 01:10:07,321 --> 01:10:08,956 MELISSA? 989 01:10:18,432 --> 01:10:21,101 I WAS WRONG. SHE'S NOT HERE. 990 01:10:21,101 --> 01:10:22,169 I'M SORRY. 991 01:10:22,169 --> 01:10:27,441 WELL, WILL TELL HER THAT CHARLENE LERNOUX IS TRYING TO GET IN TOUCH WITH HER? 992 01:10:29,277 --> 01:10:29,811 LERNOUX? 993 01:10:29,811 --> 01:10:32,013 I'M MELISSA'S EX-SISTER-IN-LAW. 994 01:10:32,013 --> 01:10:33,048 I DON'T UNDERSTAND. 995 01:10:33,048 --> 01:10:35,350 WHAT DO YOU MEAN, SISTER-IN-LAW? 996 01:10:36,651 --> 01:10:39,854 I WAS MARRIED TO FARRELL. 997 01:10:44,025 --> 01:10:47,128 5 YEARS I'VE BEEN MARRIED TO MELISSA... 998 01:10:47,128 --> 01:10:52,200 AND NEVER ONCE DID SHE MENTION TO ME SHE HAD A SISTER-IN-LAW. 999 01:10:52,200 --> 01:10:53,235 I CAN BELIEVE THAT. 1000 01:10:53,235 --> 01:10:57,239 WHEN I WAS MARRIED TO FARRELL, SHE JUST IGNORED ME. 1001 01:10:57,239 --> 01:11:00,442 I THINK IT WAS HER WAY OF GETTING BACK AT HIM. 1002 01:11:00,442 --> 01:11:01,243 HEH. 1003 01:11:01,243 --> 01:11:03,411 AFTER WHAT THAT PERVERT DID TO HER, 1004 01:11:03,411 --> 01:11:05,513 CAN YOU BLAME HER? 1005 01:11:05,513 --> 01:11:06,414 WHAT DID HE DO TO HER? 1006 01:11:06,414 --> 01:11:09,985 WELL, IT SEEMS THAT WHEN THEY WERE GROWING UP, 1007 01:11:09,985 --> 01:11:12,654 UH, HE USED TO MOLEST HER. 1008 01:11:12,654 --> 01:11:13,521 [CHUCKLES] 1009 01:11:13,521 --> 01:11:15,457 WHAT, THIS IS FUNNY? 1010 01:11:15,457 --> 01:11:16,691 OH, THAT'S THE BEST ONE YET. 1011 01:11:16,691 --> 01:11:18,860 WHAT, YOU THINK I'M KIDDING? 1012 01:11:18,860 --> 01:11:21,162 MELISSA WAS ALWAYS TELLING LIES ON FARRELL. 1013 01:11:21,162 --> 01:11:24,466 AND SHE WAS ALWAYS GETTING CAUGHT IN THEM, TOO. 1014 01:11:24,466 --> 01:11:26,067 I DON'T BELIEVE THIS. 1015 01:11:26,067 --> 01:11:27,469 MELISSA HATED FARRELL. 1016 01:11:27,469 --> 01:11:29,271 SO WHAT? SHE HATED HIM. BIG DEAL! 1017 01:11:29,271 --> 01:11:31,139 I'M NOT HERE TO CAUSE ANY TROUBLE. 1018 01:11:31,139 --> 01:11:32,340 GOOD. 1019 01:11:32,340 --> 01:11:34,209 ALL I WANT IS MY SHARE OF THE MONEY. 1020 01:11:34,209 --> 01:11:37,412 MONEY? WHAT MONEY? 1021 01:11:37,412 --> 01:11:40,248 DIDN'T MELISSA TELL YOU? 1022 01:11:40,248 --> 01:11:41,249 SHE OWNS THE BAR NOW. 1023 01:11:41,249 --> 01:11:43,718 THAT WAS HER BROTHER'S BAR. THAT'S NOT MELISSA'S. 1024 01:11:43,718 --> 01:11:46,721 BUT FARRELL'S DYING DROPPED IT RIGHT IN HER LAP. 1025 01:11:46,721 --> 01:11:48,890 LOOK IT--WHEN THEIR DADDY DIED, 1026 01:11:48,890 --> 01:11:50,992 HE LEFT THE BUSINESS TO FARRELL, 1027 01:11:50,992 --> 01:11:54,129 BUT HE LEFT THE LAND THAT IT WAS ON TO MELISSA. 1028 01:11:54,129 --> 01:11:56,398 AS LONG AS FARRELL KEPT THAT BAR OPEN, 1029 01:11:56,398 --> 01:12:00,302 MELISSA COULDN'T SELL OFF A SPOONFUL OF THE DIRT. 1030 01:12:02,604 --> 01:12:05,473 UH, HOW MUCH IS THIS LAND WORTH? 1031 01:12:05,473 --> 01:12:07,442 AROUND $2 MILLION. 1032 01:12:11,079 --> 01:12:14,516 I'M FINDING THIS KIND OF HARD TO BELIEVE. 1033 01:12:14,516 --> 01:12:18,486 I'VE GOT A COPY OF THE WILL WITH ME. 1034 01:12:19,821 --> 01:12:21,756 RIGHT HERE ON PAPER. 1035 01:12:24,059 --> 01:12:27,529 EVERYTHING REVERTS DIRECTLY TO MELISSA. 1036 01:12:27,529 --> 01:12:30,565 YOU'RE BOTH MILLIONAIRES. 1037 01:12:47,349 --> 01:12:48,516 [SIGHS] 1038 01:12:48,516 --> 01:12:50,385 WHAT'S HAPPENING HERE? 1039 01:12:50,385 --> 01:12:53,621 ALL I WANT IS THAT MY KIDS DON'T GO WITHOUT. 1040 01:12:53,621 --> 01:12:57,292 WHAT WAS RIGHTFULLY THEIR FATHER'S OUGHT TO GO TO THEM. 1041 01:12:57,292 --> 01:13:01,062 TWICE BEFORE, I'VE TRIED TO BROACH THE SUBJECT WITH MELISSA, 1042 01:13:01,062 --> 01:13:05,400 BUT SHE KEEPS RUNNING OFF SOMEWHERE TO MEET WITH THAT COP. 1043 01:13:06,768 --> 01:13:08,303 WHAT COP? 1044 01:13:45,607 --> 01:13:47,308 [WHISPERING] Hi. 1045 01:13:48,176 --> 01:13:49,611 HI. 1046 01:13:51,079 --> 01:13:54,015 I BROUGHT YOU SOME COFFEE. 1047 01:13:56,451 --> 01:13:57,585 REALLY? 1048 01:13:57,585 --> 01:14:00,622 MILK, ONE SUGAR. 1049 01:14:00,622 --> 01:14:01,923 THAT'S ALL? 1050 01:14:01,923 --> 01:14:06,060 I NEED MORE SUGAR. 1051 01:14:07,128 --> 01:14:08,897 A LOT MORE. 1052 01:14:20,642 --> 01:14:22,644 [TIRES SCREECH] 1053 01:14:36,024 --> 01:14:36,558 WALKER! 1054 01:14:36,558 --> 01:14:41,162 OPEN THIS FUCKING DOOR! MELISSA, I KNOW YOU'RE IN THERE! 1055 01:14:45,433 --> 01:14:47,368 MELISSA! 1056 01:14:48,369 --> 01:14:50,972 YOU BITCH! YOU SET ME UP! 1057 01:14:50,972 --> 01:14:53,208 YOU SET ME UP! 1058 01:15:02,884 --> 01:15:04,519 COME ON! 1059 01:15:13,495 --> 01:15:15,029 [GUNSHOT] 1060 01:15:24,038 --> 01:15:26,074 [GRUNTS SOFTLY] 1061 01:15:26,074 --> 01:15:27,842 YOU... 1062 01:15:27,842 --> 01:15:30,144 DAMN SON OF A BITCH. 1063 01:15:47,228 --> 01:15:49,497 [EXHALES] 1064 01:17:19,787 --> 01:17:22,223 WHO AM I SPEAKING TO, PLEASE? 1065 01:17:22,223 --> 01:17:23,491 SAL, THIS IS LIEUTENANT WALKER. 1066 01:17:23,491 --> 01:17:26,394 CAN I SPEAK TO CAPTAIN BROOKS? 1067 01:17:26,394 --> 01:17:27,895 THANKS. 1068 01:17:32,400 --> 01:17:34,702 HELLO, CAPTAIN. UH... 1069 01:17:34,702 --> 01:17:38,239 NO, SIR. THERE'S, UH-- I NEED AN O.S.I. TEAM 1070 01:17:38,239 --> 01:17:43,544 AND A CORONER AT MY HOUSE. THERE'S BEEN AN INCIDENT. 1071 01:17:43,544 --> 01:17:44,512 [SIGHS] 1072 01:17:44,512 --> 01:17:46,981 NO, SIR, I'M OK. 1073 01:17:46,981 --> 01:17:48,216 [SIGHS] 1074 01:17:48,216 --> 01:17:50,718 WELL, UH... 1075 01:17:50,718 --> 01:17:53,988 YARNELL MADE GOOD ON HIS THREAT, SIR. 1076 01:17:55,723 --> 01:17:57,158 YES. 1077 01:17:58,393 --> 01:17:59,927 THANK YOU. 1078 01:18:10,405 --> 01:18:12,006 MELISSA... 1079 01:18:12,006 --> 01:18:13,341 HEY. 1080 01:18:13,341 --> 01:18:16,811 HE WAS GONNA KILL US. 1081 01:18:16,811 --> 01:18:19,380 MELISSA... 1082 01:18:19,380 --> 01:18:22,016 WE HAVE TO GET DRESSED. 1083 01:18:22,850 --> 01:18:24,419 UNDERSTAND? 1084 01:18:26,754 --> 01:18:29,357 HE WAS GONNA KILL YOU. 1085 01:18:30,992 --> 01:18:32,593 [PANTING] 1086 01:18:32,593 --> 01:18:33,594 COME ON. 1087 01:18:33,594 --> 01:18:35,463 ALL RIGHT, SWEETHEART. 1088 01:18:35,463 --> 01:18:36,998 COME ON. 1089 01:18:36,998 --> 01:18:37,865 LOOK... 1090 01:18:37,865 --> 01:18:40,068 WE CAN TAKE CARE OF THIS 2 WAYS. 1091 01:18:40,568 --> 01:18:44,172 EITHER HE IS GONNA PUT YOU THROUGH THE RINGER 1092 01:18:44,172 --> 01:18:46,040 OR I CAN... 1093 01:18:46,040 --> 01:18:48,409 I CAN FUDGE YOU THROUGH. 1094 01:18:51,179 --> 01:18:52,980 HOW? 1095 01:18:52,980 --> 01:18:55,283 YARNELL THREATENED ME THE OTHER DAY AT THE PRECINCT 1096 01:18:55,283 --> 01:18:58,186 IN FRONT OF A FEW MEN. 1097 01:18:58,886 --> 01:19:01,322 I COULD SAY IT WAS SELF DEFENSE. 1098 01:19:06,127 --> 01:19:08,463 MATT, I'M SCARED. 1099 01:19:11,299 --> 01:19:12,500 ALL RIGHT, LOOK... 1100 01:19:12,500 --> 01:19:14,469 WE HAVE TO HURRY, OK? 1101 01:19:14,469 --> 01:19:16,771 'CAUSE THEY'RE ON THEIR WAY. 1102 01:19:17,438 --> 01:19:20,641 WE'VE GOT TO HURRY. YOU'VE GOT TO GET DRESSED AND GO HOME. 1103 01:19:20,641 --> 01:19:21,943 WHEN THE POLICE COME TO TELL YOU, 1104 01:19:21,943 --> 01:19:23,344 YOU'VE GOT TO BREAK DOWN. 1105 01:19:23,344 --> 01:19:25,813 YOU WERE NEVER HERE. GO. 1106 01:19:33,688 --> 01:19:36,758 [TIRES SCREECHING] 1107 01:19:43,030 --> 01:19:45,767 [MEN TALKING QUIETLY] 1108 01:19:48,002 --> 01:19:51,439 Man: I DON'T KNOW. THE TELEVISION WAS ON. 1109 01:20:44,091 --> 01:20:46,561 [CAR DOOR OPENS] 1110 01:20:46,561 --> 01:20:48,563 [CAR DOOR CLOSES] 1111 01:20:58,339 --> 01:21:00,074 [KNOCK ON DOOR] 1112 01:21:05,213 --> 01:21:07,048 MATTHEW. 1113 01:21:07,048 --> 01:21:08,482 HI. 1114 01:21:09,450 --> 01:21:10,885 I'M SORRY FOR STOPPING BY. 1115 01:21:10,885 --> 01:21:12,053 I... 1116 01:21:12,053 --> 01:21:16,290 TRIED CALLING. THE MACHINE WAS ON. 1117 01:21:16,290 --> 01:21:17,892 YOU OK? 1118 01:21:18,893 --> 01:21:23,297 TANNER WAS HERE. HE'S NOT HANDLING IT TOO WELL. 1119 01:21:23,865 --> 01:21:25,299 OH. 1120 01:21:26,901 --> 01:21:29,170 CAN I COME IN? 1121 01:21:29,604 --> 01:21:32,306 I DON'T THINK THAT'S A GOOD IDEA RIGHT NOW. 1122 01:21:32,306 --> 01:21:35,276 JUST FOR 5 MINUTES. 1123 01:21:35,276 --> 01:21:36,944 NO, MATT, I'M SUPPOSED TO BE AT THE UNDERTAKER'S. 1124 01:21:36,944 --> 01:21:40,281 WELL, I WANT TO EXPLAIN WHAT WENT DOWN IN THE INVESTIGATION. 1125 01:21:40,281 --> 01:21:42,817 LOOK, I DON'T HAVE THE TIME RIGHT NOW. 1126 01:21:42,817 --> 01:21:47,688 I THOUGHT IF ANYONE COULD UNDERSTAND WHAT I'M GOING THROUGH, IT WOULD BE YOU. 1127 01:21:47,688 --> 01:21:51,225 BUT I CAN SEE YOU'RE JUST TOO CONCERNED WITH YOURSELF. 1128 01:21:51,225 --> 01:21:53,461 THAT'S NOT TRUE. 1129 01:21:53,461 --> 01:21:56,898 THIS WHOLE THING IS TO PROTECT YOU. 1130 01:21:56,898 --> 01:21:58,599 I'M SORRY, MATT. 1131 01:21:58,599 --> 01:22:03,504 I JUST DON'T THINK IT'S A GOOD IDEA THAT WE SEE EACH OTHER AGAIN. 1132 01:22:05,473 --> 01:22:06,908 HEH. 1133 01:22:08,242 --> 01:22:11,145 I PUT MY WHOLE CAREER ON THE LINE FOR YOU. 1134 01:22:11,145 --> 01:22:12,847 I WAS VULNERABLE. 1135 01:22:12,847 --> 01:22:14,415 I CAME TO YOU FOR HELP. 1136 01:22:14,415 --> 01:22:16,017 I DIDN'T WANT MIKE DEAD. 1137 01:22:16,017 --> 01:22:16,817 WELL, NEITHER DID I. 1138 01:22:16,817 --> 01:22:20,855 YOU KNOW? I MEAN, YOU WERE THE ONE WHO SHOT HIM, REMEMBER? 1139 01:22:20,855 --> 01:22:23,257 IT WAS YOUR HOUSE... 1140 01:22:23,257 --> 01:22:24,191 YOUR GUN. 1141 01:22:24,191 --> 01:22:28,996 YOU LIED ABOUT YOUR INVOLVEMENT WITH THE VICTIM'S WIFE. 1142 01:22:30,164 --> 01:22:32,466 HOW ARE YOU GOING TO EXPLAIN THAT? 1143 01:22:32,466 --> 01:22:34,669 HUH? 1144 01:22:38,639 --> 01:22:41,309 [SIGHS] 1145 01:22:41,309 --> 01:22:43,044 WHAT ARE YOU SAYING? 1146 01:22:43,044 --> 01:22:47,281 I'M SAYING THAT IT'S OVER BETWEEN US, MATT. 1147 01:22:48,916 --> 01:22:50,851 IT'S OVER. 1148 01:22:50,851 --> 01:22:51,886 OH, MELISSA-- 1149 01:22:51,886 --> 01:22:53,020 GOOD-BYE, MATT. 1150 01:22:53,020 --> 01:22:55,723 MELISSA-- 1151 01:23:45,906 --> 01:23:47,842 WHO WAS IT? 1152 01:23:48,642 --> 01:23:50,811 MY COMPETITION? 1153 01:23:52,079 --> 01:23:54,715 DON'T MAKE ME LAUGH. 1154 01:23:56,283 --> 01:23:58,819 WHAT DID HE WANT? 1155 01:24:00,388 --> 01:24:01,522 GUESS. 1156 01:24:01,522 --> 01:24:03,791 HEH. 1157 01:24:05,760 --> 01:24:08,996 HE'S NOT GONNA BE A PROBLEM, IS HE? 1158 01:24:11,866 --> 01:24:14,135 I DON'T THINK SO. 1159 01:24:20,908 --> 01:24:24,645 YOU SHOULD BE GLAD I CAN'T GET UP AND KICK YOUR ASS TO SUNDAY. 1160 01:24:24,645 --> 01:24:26,614 LOOK AT YOU. 1161 01:24:26,614 --> 01:24:31,085 YOU'RE A GODDAMN HIGH SCHOOL KID WITH AN ACHING HEART. 1162 01:24:32,286 --> 01:24:35,890 IT'S NOT THAT, GIB. 1163 01:24:35,890 --> 01:24:37,691 I FUCKED UP, MAN. 1164 01:24:37,691 --> 01:24:40,628 EACH TIME THE O.S.I. WALKED ME THROUGH THE GODDAMN SCENE, 1165 01:24:40,628 --> 01:24:44,732 I WAS CHOKING ON THE FUCKING LIES I HAD TO FEED THEM. 1166 01:24:47,802 --> 01:24:49,670 SORRY. 1167 01:24:51,038 --> 01:24:53,007 YARNELL'S VOICE... 1168 01:24:53,007 --> 01:24:55,409 KEEPS NAGGING AT ME. 1169 01:24:57,344 --> 01:24:58,479 SHE'S DOING IT AGAIN. 1170 01:24:58,479 --> 01:25:00,614 I FEEL IT IN MY GUT. 1171 01:25:00,614 --> 01:25:01,415 OH, BULLSHIT. 1172 01:25:01,415 --> 01:25:03,784 YOU'RE FEELING SO GUILTY ABOUT POKING THIS GUY'S WIFE 1173 01:25:03,784 --> 01:25:05,953 YOU'RE BEGINNING TO SEE CONSPIRACIES IN YOUR CEREAL. 1174 01:25:05,953 --> 01:25:11,525 YOU'RE LETTING YOUR ACHING HEART AND YOUR COCK-EYED DINGUS 1175 01:25:11,525 --> 01:25:14,128 LEAD YOU AROUND. 1176 01:25:14,128 --> 01:25:16,430 JUST LOSE THIS THING. 1177 01:25:16,430 --> 01:25:20,468 I WISH I COULD. 1178 01:25:20,468 --> 01:25:22,369 I KEEP...THINKING... 1179 01:25:22,369 --> 01:25:24,505 YARNELL WOULD BE ALIVE TODAY IF I DIDN'T-- 1180 01:25:24,505 --> 01:25:25,372 BUT YOU DID. 1181 01:25:25,372 --> 01:25:31,078 YOU GOT INVOLVED IN A DOMESTIC SITUATION THAT COULD ONLY END IN DISASTER. 1182 01:25:31,846 --> 01:25:35,683 DUST IT OFF AND GO BACK TO WORK. 1183 01:25:39,086 --> 01:25:40,354 WELL... 1184 01:25:40,354 --> 01:25:43,157 PAPPY KNOWS BEST. 1185 01:25:47,895 --> 01:25:49,330 WALKER. 1186 01:25:49,330 --> 01:25:51,232 WALKER! 1187 01:25:53,334 --> 01:25:55,035 YOU ALL RIGHT? 1188 01:25:56,103 --> 01:25:57,304 YEAH. 1189 01:25:57,304 --> 01:26:00,441 THE O.S.I. REPORT CAME DOWN. 1190 01:26:00,975 --> 01:26:06,514 IT'S OK. AFTER I GAVE MY STATEMENT, IT WAS A LOCK. 1191 01:26:07,448 --> 01:26:09,316 YOU KNEW THAT. 1192 01:26:10,651 --> 01:26:12,520 [ALMOST INAUDIBLY] THANKS. 1193 01:26:13,487 --> 01:26:16,323 [SALSA DANCE MUSIC PLAYING] 1194 01:26:17,424 --> 01:26:20,427 ♪ EL DIABLO ♪ 1195 01:26:21,996 --> 01:26:25,432 ♪ BABY, WHEN I SEE YOU WALKING DOWN THE STREET ♪ 1196 01:26:25,432 --> 01:26:29,803 ♪ EVERY STEP CREATES A RHYTHM IN YOUR FEET ♪ 1197 01:26:29,803 --> 01:26:33,707 ♪ WHEN YOU DANCE THE CHA CHA MAMBO BOOGALOO ♪ 1198 01:26:33,707 --> 01:26:38,746 ♪ I CAN SEE IT IN YOUR EYES YOU LOVE IT, TOO ♪ 1199 01:26:38,746 --> 01:26:41,448 [SINGING IN SPANISH] 1200 01:26:53,427 --> 01:26:54,328 [DOORBELL RINGS] [MUSIC CONTINUES] 1201 01:26:54,328 --> 01:26:58,098 ♪ LET ME TAKE YOU IN MY ARMS I'LL SHOW YOU HOW ♪ 1202 01:26:58,098 --> 01:27:02,102 ♪ WE CAN SHAKE TOGETHER, MAKE LOVE, AND GET DOWN ♪ 1203 01:27:02,102 --> 01:27:04,672 [DOORBELL RINGS] ♪ MAGIC'S EVERYWHERE ♪ 1204 01:27:04,672 --> 01:27:06,273 ♪ IT'S IN THE AIR TONIGHT ♪ 1205 01:27:06,273 --> 01:27:10,344 ♪ IF YOU DANCE WITH ME I'LL MAKE YOU FEEL ALL RIGHT ♪ 1206 01:27:10,344 --> 01:27:14,848 ♪ BABY, HOLD ME TIGHT AND NEVER LET ME GO ♪ 1207 01:27:14,848 --> 01:27:17,384 ♪ YOU AND I WILL TAKE THE... ♪ 1208 01:27:17,384 --> 01:27:19,520 HELLO, MELISSA. 1209 01:27:19,520 --> 01:27:21,722 [SINGING IN SPANISH] 1210 01:27:21,722 --> 01:27:24,692 CAN I COME IN? 1211 01:27:26,026 --> 01:27:28,696 [MUSIC CONTINUES] 1212 01:27:39,540 --> 01:27:41,842 YOU LITTLE BITCH. 1213 01:27:42,209 --> 01:27:45,212 HOW DARE YOU COME HERE ASKING FOR MONEY. 1214 01:27:45,212 --> 01:27:50,251 I'M ONLY ASKING FOR WHAT WAS RIGHTFULLY FARRELL'S IN THE FIRST PLACE. 1215 01:27:54,355 --> 01:27:56,457 HOW MUCH DO YOU WANT? 1216 01:27:56,457 --> 01:27:58,225 I'LL SETTLE FOR HALF. 1217 01:27:58,225 --> 01:28:02,463 HEH. YOU HAVE TO BE JOKING. HEH. 1218 01:28:02,463 --> 01:28:03,897 HALF? 1219 01:28:03,897 --> 01:28:07,434 PUT IT IN A TRUST FUND UNDER THE CHILDREN'S' NAMES. 1220 01:28:07,434 --> 01:28:12,273 I CAN'T THINK OF ONE GOOD REASON WHY I SHOULD GIVE YOU ANYTHING. 1221 01:28:12,873 --> 01:28:15,042 BECAUSE IF YOU DON'T, I'LL CONTEST THE WILL. 1222 01:28:15,042 --> 01:28:21,081 I CAN TIE UP THAT MONEY AND DRAG YOU THROUGH THE COURTS FOR YEARS. 1223 01:28:21,081 --> 01:28:25,686 NOT ONLY A BITCH, BUT A SCHEMING BITCH. 1224 01:28:26,887 --> 01:28:28,589 NO, MELISSA. 1225 01:28:29,123 --> 01:28:30,357 I'M JUST A GOOD MOTHER. 1226 01:28:30,357 --> 01:28:35,095 PLEASE. SPARE ME THE SELF-RIGHTEOUS BULLSHIT. 1227 01:28:39,066 --> 01:28:41,201 [EXHALES FORCEFULLY] 1228 01:28:44,538 --> 01:28:46,640 FINE. 1229 01:28:47,808 --> 01:28:49,510 [SIGHS] 1230 01:28:49,977 --> 01:28:53,547 I'LL HAVE THE PAPERS DRAWN UP TOMORROW. 1231 01:28:53,547 --> 01:28:55,316 GREAT. 1232 01:28:59,119 --> 01:29:01,855 NOW, GET OUT OF MY HOUSE. 1233 01:29:10,497 --> 01:29:13,334 WHY DON'T WE MEET AT FARRELL'S CLUB TOMORROW? 1234 01:29:13,334 --> 01:29:16,470 GREAT. WHAT TIME? 1235 01:29:16,470 --> 01:29:18,138 HOW ABOUT 1:00? 1236 01:29:18,138 --> 01:29:19,707 FINE. 1237 01:29:19,707 --> 01:29:22,343 MUCH BETTER. 1238 01:29:23,110 --> 01:29:25,679 NOW, GET OUT OF MY HOUSE. 1239 01:29:25,679 --> 01:29:27,281 HEH. 1240 01:29:27,281 --> 01:29:29,049 GET OUT. 1241 01:29:36,824 --> 01:29:38,926 [DOOR CLOSES] 1242 01:29:39,393 --> 01:29:41,128 [WHISPERING] Shit. 1243 01:29:41,128 --> 01:29:42,363 HEH. 1244 01:29:42,363 --> 01:29:44,365 WOMEN. 1245 01:29:52,106 --> 01:29:53,640 [KNOCK ON DOOR] 1246 01:29:53,640 --> 01:29:55,976 MELISSA? 1247 01:29:57,344 --> 01:30:01,048 MELISSA, YOU'VE GOT MY PAPERS IN THERE. 1248 01:30:12,726 --> 01:30:15,362 Melissa: I TALKED TO HER. 1249 01:30:15,362 --> 01:30:18,232 SHE WANTS HALF THE MONEY. 1250 01:30:21,402 --> 01:30:24,104 YEAH, SHE WAS HERE. 1251 01:30:26,173 --> 01:30:29,443 I THINK SHE'S GONNA BE A PROBLEM. 1252 01:30:29,810 --> 01:30:33,313 OH, YOU'LL HAVE TO DO SOMETHING ABOUT HER. 1253 01:30:34,381 --> 01:30:36,784 GET HER OUT OF THE PICTURE. 1254 01:30:41,622 --> 01:30:43,991 GET HER OUT OF THE WAY. 1255 01:30:49,830 --> 01:30:52,733 [KNOCK ON DOOR] 1256 01:30:54,268 --> 01:30:56,303 [KNOCK ON DOOR] 1257 01:30:56,303 --> 01:30:58,205 Matt: ONE SECOND. 1258 01:31:00,174 --> 01:31:01,809 [KNOCK ON DOOR] 1259 01:31:03,877 --> 01:31:05,512 CAN I HELP YOU? 1260 01:31:07,581 --> 01:31:09,016 I'M CHARLENE LERNOUX. 1261 01:31:09,016 --> 01:31:12,252 I NEED TO TALK TO YOU ABOUT MELISSA YARNELL. 1262 01:31:12,252 --> 01:31:13,821 WHAT ABOUT HER? 1263 01:31:13,821 --> 01:31:17,691 I THINK SHE IS GOING TO TRY TO KILL ME. 1264 01:31:31,772 --> 01:31:33,974 WHERE'D YOU GET THIS? 1265 01:31:34,975 --> 01:31:39,179 WOULD YOU BELIEVE IT WAS A BIRTHDAY PRESENT? 1266 01:31:39,179 --> 01:31:43,183 DO YOU REALLY EXPECT ME TO USE THIS? 1267 01:31:44,151 --> 01:31:48,555 IF WE MAKE IT LOOK LIKE A BREAK-IN, WHO WILL KNOW THE DIFFERENCE? 1268 01:31:51,592 --> 01:31:53,093 COME ON. 1269 01:31:58,265 --> 01:32:00,133 IF WE MOVE NOW, WE'LL STILL HAVE TIME. 1270 01:32:00,133 --> 01:32:02,002 WE'LL BEAT THEM TO THE PUNCH. 1271 01:32:02,002 --> 01:32:05,939 AND I KNOW JUST THE MAN WHO SHOULD HAVE A PIECE OF THE ACTION. 1272 01:32:05,939 --> 01:32:07,040 WHO? 1273 01:32:07,040 --> 01:32:08,475 BILL TANNER. 1274 01:32:08,475 --> 01:32:10,677 HE WAS YARNELL'S PARTNER. 1275 01:32:10,677 --> 01:32:13,113 I WANT HIM TO KNOW THE TRUTH. 1276 01:32:13,113 --> 01:32:14,548 Man, on machine: THIS IS BILL TANNER. 1277 01:32:14,548 --> 01:32:15,716 LEAVE YOUR MESSAGE. 1278 01:32:15,716 --> 01:32:17,017 [BEEP] Matt: BILL... 1279 01:32:17,017 --> 01:32:18,285 UH, THIS IS MATT WALKER. 1280 01:32:18,285 --> 01:32:20,420 I HAVE SOME IMPORTANT INFORMATION. 1281 01:32:20,420 --> 01:32:23,290 PLEASE MEET ME AT FARRELL'S CLUB. 1282 01:32:30,597 --> 01:32:31,765 YOU HAVE THE CROWBAR? 1283 01:32:31,765 --> 01:32:32,833 RIGHT HERE. 1284 01:32:32,833 --> 01:32:35,035 WHEN YOU'RE FINISHED, DON'T PANIC. 1285 01:32:35,035 --> 01:32:39,039 JUST WALK SLOWLY BACK TO THE CAR. 1286 01:33:22,449 --> 01:33:24,418 Charlene: HELLO? 1287 01:33:28,188 --> 01:33:29,957 MELISSA? 1288 01:33:32,626 --> 01:33:34,394 MELISSA! 1289 01:33:37,731 --> 01:33:39,466 OK, IF YOU'RE GONNA PLAY GAMES, 1290 01:33:39,466 --> 01:33:40,500 I AM LEAVING. 1291 01:33:40,500 --> 01:33:44,237 AH! DON'T YOU WANT YOUR MONEY? 1292 01:33:44,237 --> 01:33:45,439 Matt: HALPERIN! 1293 01:33:45,439 --> 01:33:47,207 [STRAINS] 1294 01:33:54,581 --> 01:33:56,383 WHERE ARE YOU GOING? 1295 01:34:06,293 --> 01:34:07,694 ARE YOU OK? 1296 01:34:07,694 --> 01:34:09,329 YEAH. 1297 01:34:09,329 --> 01:34:11,365 [DOOR OPENS] 1298 01:34:15,702 --> 01:34:18,305 WE GOTTA CALL AN O.S.I TEAM. 1299 01:34:21,475 --> 01:34:24,544 MOVE AWAY FROM THERE AND DROP THE GUN. 1300 01:34:32,319 --> 01:34:36,823 WHAT, ARE YOU DEAF? MOVE AWAY FROM THERE AND DROP THE GUN! 1301 01:34:55,542 --> 01:34:57,577 YOU DROP IT. 1302 01:35:00,047 --> 01:35:02,249 Bill: DON'T YOU MOVE! 1303 01:35:03,784 --> 01:35:06,386 I THOUGHT YOU AND YARNELL WERE FRIENDS. 1304 01:35:06,386 --> 01:35:09,022 LIFE GETS COMPLICATED. 1305 01:35:09,022 --> 01:35:10,090 YEAH... 1306 01:35:10,090 --> 01:35:13,226 2 MILLION PLUS. NO WONDER. 1307 01:35:13,226 --> 01:35:15,929 WHAT ARE YOU TALKING ABOUT? 1308 01:35:16,830 --> 01:35:18,165 TELL HIM. 1309 01:35:18,165 --> 01:35:20,867 IT SAYS SO IN THE WILL. 1310 01:35:22,235 --> 01:35:23,470 SHOOT HIM. SHUT UP. 1311 01:35:23,470 --> 01:35:27,340 WITH THEM OUT OF THE PICTURE, WE CAN HAVE IT JUST THE WAY WE WANT IT. 1312 01:35:27,340 --> 01:35:29,476 I SAID SHUT UP! 1313 01:35:29,476 --> 01:35:32,112 TELL HIM WHO YOUR BOYFRIEND IS, MELISSA. 1314 01:35:32,112 --> 01:35:32,779 [CHUCKLES] 1315 01:35:32,779 --> 01:35:35,649 NOBODY. I ALREADY TOLD YOU THAT. 1316 01:35:35,649 --> 01:35:36,950 YOU'RE A LIAR. 1317 01:35:36,950 --> 01:35:41,988 I USED HIM. I HAD TO USE HIM TO GET HER OUT OF THE WAY. 1318 01:35:41,988 --> 01:35:42,889 YEAH. 1319 01:35:42,889 --> 01:35:46,359 THAT'S RIGHT. SHE USED HIM. 1320 01:35:46,359 --> 01:35:48,662 SHE USED ALL OF US. 1321 01:35:50,797 --> 01:35:51,832 TELL HIM, MELISSA. 1322 01:35:51,832 --> 01:35:54,468 [CHUCKLING] HE'S LYING. 1323 01:35:54,468 --> 01:35:57,204 TELL HIM. TELL HIM! 1324 01:37:02,569 --> 01:37:03,336 Matt: LOOKING BACK ON IT ALL, 1325 01:37:03,336 --> 01:37:07,908 I GUESS THINGS ENDED UP THE WAY THEY WERE MEANT TO. 1326 01:37:08,775 --> 01:37:09,943 CHARLENE SOLD THE BAR. 1327 01:37:09,943 --> 01:37:12,979 AT LEAST HER KIDS ARE TAKEN CARE OF NOW. 1328 01:37:12,979 --> 01:37:16,149 GIBBY WENT AHEAD WITH HIS RETIREMENT. 1329 01:37:16,149 --> 01:37:17,284 HE'S DOING FINE. 1330 01:37:17,284 --> 01:37:21,555 MY DAUGHTER FINALLY CAME TO VISIT. 1331 01:37:21,555 --> 01:37:23,557 WE HAD A GREAT TIME. 1332 01:37:23,557 --> 01:37:28,695 OTHER THAN THAT, THINGS ARE PRETTY MUCH THE SAME. 1333 01:37:29,229 --> 01:37:32,199 YOU KNOW, I HAVE THIS FEELING I USED TO GET WHEN I WAS A KID. 1334 01:37:32,199 --> 01:37:37,437 I KEEP THINKING SOMETHING'S GOT TO CHANGE. 1335 01:37:37,437 --> 01:37:40,674 IT'S LIKE GIBBY SAID. 1336 01:37:40,674 --> 01:37:44,811 I KEEP WONDERING IF THIS IS ALL THERE IS. 1337 01:37:44,811 --> 01:37:47,681 MAYBE I'LL FIND OUT. 1338 01:37:47,681 --> 01:37:48,481 MAYBE TOMORROW.